Images of Machines and Technology. Author’s Interpretations
Bibliographic Data
| ID | 22040571 |
|---|---|
| Authors | E V Dukov (0000-0002-2097-369X), V D Evallyo (0000-0002-4531-4922), E А Sеmеnоvа (0000-0002-1316-3162), Marina Leonidovna Magidovich, E A Semenova (0000-0003-1154-8293), N S Gurkina (0000-0001-5949-8745), M F Kazyuchits (0000-0002-3015-3046), Denis Viren (0000-0002-3680-6028), D D Smolev (0000-0002-4944-8792) |
| Year | 2021 |
| Issue | 4 |
| Pages | 396-437 |
| Publication date | 2021-12-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Art & Culture Studies (JOURNAL) |
| Journal identifiers | ISSN: 2226-0072 • E-ISSN: 2226-0072 |
| Publisher | Federal State-Financed Scientific Institution State Institute for Art Studies (PUBLISHER) |
| DOI | 10.51678/2226-0072-2021-4-396-437 |
| OpenAlex | W4200563684 |
| Language | EN |
| References cited | 3 |
The problem of interaction between machines and humans has been relevant at all times of human civilization’s development. This subject arose most acutely in the era of scientific and technical progress, giving rise to a wide problem field, many aspects of which still require scientific understanding. In this discussion, the researchers tried to analyze the situation of the widespread implantation of new technologies and machines into the art field. The integration of technology generates the necessity of the author’s interpretations about the relationship between the technological and the humanistic. The authors turned to the problem of identification and draw the boundaries of the human “I” in the era of computerization of many spheres of life, to the topic of technology’s images in cinema (Polish, American, documentary), to the image of industrialization in American art of the first half of the 20th century, to modern installations by A. Reichstein, to the screen media in the stage space, in the city, and even in the virtual environment (for example on incredibly popular TikTok platform). The authors conclude that machine civilization is closely intertwined with humans. The images of technology are overgrown with countless interpretations: they can act as a theme, device, context, decoration, character, conflict with humanity, fight for its prosperity, try to identify itself in the human world
Aesthetics · Art · Art history · Civilization · Environmental ethics · Humanism · Humanity · Movie theater · Political science · Prosperity · Sociology · World Wide Web · Computer Science · History · Law · Philosophy · Scientific Research and Philosophical Inquiry · Security, Politics, and Digital Transformation
| Highly cited | No |
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