Robert Walser
Dados Biográficos
| ID | 175206 |
|---|---|
| NOME | Robert Walser |
| PRENOMES | Robert |
| SOBRENOME | Walser |
| ASSINATURA | WALSER R |
| AFILIAÇÕES | St Christopher's Hospice |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 27 |
| TOTAL DE CITAÇÕES | 88 |
| TOTAL COMO AUTOR | 27 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1958 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2023 |
| ÍNDICE H | 4 |
Guten Tag, Riesin
Running with the devil
A comprehensive musical, social, and cultural analysis of heavy metal music. This 2014 edition includes a new foreword contextualizing the work and a new afterword by the author.
Popular music in the United States
Pop
Byrds, the
Hüsker Dü
Van Halen
Heavy metal
Ac/Dc
Black Sabbath
Sounds and Society
Out of Notes
“Out of Notes”
Heavy Metal Music
HEAVY METAL MUSIC Get access ROBERT WALSER ROBERT WALSER Department of Musicology, University of California, Los Angeles405 Hilgard Avenue, Los Angeles, California 90095, USA. Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 76, Issue 4, November 1995, Pages 657-b–657, https://doi.org/10.1093/ml/76.4.657-b Published: 01 November 1995
It's Not About a Salary
This photo-essay, coupled with oral histories, provides a map of the contemporary hip-hop nation in Los Angeles. Bracketed by introductory essays on the history and production of the music and a glossary, the book aims to engage with the city's rap scene on its own terms, with interviews and images, documenting its movements and influences, its leaders and up-and-comers. From its beginnings, Los Angeles has been a site of multiple voices, dispute…
Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy
The records of La Etnnia in the 1990sThe present study is focused on the first three musical productions of the rap group La Etnnia, published between 1995 and 1997, in Bogotá, Colombia.Although, there are reeditions of the same records in different formats this will not be considered within the present work.In the same manner, background elements prior to the publication of the three records opens a historical and contextual panorama on the orig…
A Passion for Polka
Prince as Queer Poststructuralist
This chapter argues that these (flows, melting, delirium, machines) bodies of work deal with comparable concerns, however vastly different their institutional, biographical, and discursive locations. It points out that Prince's only successful movie, Purple Rain, was clearly a story about one kind of de-Oedipalization, the struggle over the social reproduction of patriarchy. In songs like Strange Relationship, Prince reflects on the contradiction…
Theorizing the Body in African-American Music
The body has not been a prestigious topic among scholars of the arts. Aesthetician Roman Ingarden (1986, 46) has written: We may doubt whether so-called dance music, when employed only as a means of keeping the dancers in step and arousing in them a specific passion for expression through movement, is music in the strict sense of the word. In this passage, Ingarden appears merely to be establishing objective criteria for what counts as music; yet…
Roll Over Beethoven
Professing Censorship
The Polka Mass
The morning of July 16, 1988 was warm and sunny in Pearl Lake, Minnesota, and the Catholic priest of Holy Cross Parish was able to carry out his plan to celebrate Mass outdoors. Midway through the service, as usual, Fr. Herman Winkles exhorted his flock: And now let us join with all the angels and saints in singing the praises of our Lord. This was the cue for a musical introduction, but instead of an organist playing a sacred anthem or acclamati…
Eruptions
We have now heard him, the strange wonder, whom the superstition of past ages, possessed by the delusion that such things could never be done without the help of the Evil One, would undoubtedly have condemned to the stake - we have heard him, and seen him too, which, of course, makes a part of the affair. Just look at the pale, slender youth in his clothes that signal the nonconformist; the long, sleek, drooping hair ... those features so strongl…
Music as Cultural Practice, 1800-1900
Selected Stories
Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy
The records of La Etnnia in the 1990sThe present study is focused on the first three musical productions of the rap group La Etnnia, published between 1995 and 1997, in Bogotá, Colombia.Although, there are reeditions of the same records in different formats this will not be considered within the present work.In the same manner, background elements prior to the publication of the three records opens a historical and contextual panorama on the orig…
Eruptions
We have now heard him, the strange wonder, whom the superstition of past ages, possessed by the delusion that such things could never be done without the help of the Evil One, would undoubtedly have condemned to the stake - we have heard him, and seen him too, which, of course, makes a part of the affair. Just look at the pale, slender youth in his clothes that signal the nonconformist; the long, sleek, drooping hair ... those features so strongl…
It's Not About a Salary
This photo-essay, coupled with oral histories, provides a map of the contemporary hip-hop nation in Los Angeles. Bracketed by introductory essays on the history and production of the music and a glossary, the book aims to engage with the city's rap scene on its own terms, with interviews and images, documenting its movements and influences, its leaders and up-and-comers. From its beginnings, Los Angeles has been a site of multiple voices, dispute…
Prince as Queer Poststructuralist
This chapter argues that these (flows, melting, delirium, machines) bodies of work deal with comparable concerns, however vastly different their institutional, biographical, and discursive locations. It points out that Prince's only successful movie, Purple Rain, was clearly a story about one kind of de-Oedipalization, the struggle over the social reproduction of patriarchy. In songs like Strange Relationship, Prince reflects on the contradiction…
Theorizing the Body in African-American Music
The body has not been a prestigious topic among scholars of the arts. Aesthetician Roman Ingarden (1986, 46) has written: We may doubt whether so-called dance music, when employed only as a means of keeping the dancers in step and arousing in them a specific passion for expression through movement, is music in the strict sense of the word. In this passage, Ingarden appears merely to be establishing objective criteria for what counts as music; yet…
Contemporary Literature
Contemporary Literature
Dorfgeschichte
Selected Stories
Music as Cultural Practice, 1800-1900
The Polka Mass
The morning of July 16, 1988 was warm and sunny in Pearl Lake, Minnesota, and the Catholic priest of Holy Cross Parish was able to carry out his plan to celebrate Mass outdoors. Midway through the service, as usual, Fr. Herman Winkles exhorted his flock: And now let us join with all the angels and saints in singing the praises of our Lord. This was the cue for a musical introduction, but instead of an organist playing a sacred anthem or acclamati…
Eruptions
We have now heard him, the strange wonder, whom the superstition of past ages, possessed by the delusion that such things could never be done without the help of the Evil One, would undoubtedly have condemned to the stake - we have heard him, and seen him too, which, of course, makes a part of the affair. Just look at the pale, slender youth in his clothes that signal the nonconformist; the long, sleek, drooping hair ... those features so strongl…
Professing Censorship
A Passion for Polka
Prince as Queer Poststructuralist
This chapter argues that these (flows, melting, delirium, machines) bodies of work deal with comparable concerns, however vastly different their institutional, biographical, and discursive locations. It points out that Prince's only successful movie, Purple Rain, was clearly a story about one kind of de-Oedipalization, the struggle over the social reproduction of patriarchy. In songs like Strange Relationship, Prince reflects on the contradiction…
Theorizing the Body in African-American Music
The body has not been a prestigious topic among scholars of the arts. Aesthetician Roman Ingarden (1986, 46) has written: We may doubt whether so-called dance music, when employed only as a means of keeping the dancers in step and arousing in them a specific passion for expression through movement, is music in the strict sense of the word. In this passage, Ingarden appears merely to be establishing objective criteria for what counts as music; yet…
Roll Over Beethoven
Out of Notes
“Out of Notes”
Heavy Metal Music
HEAVY METAL MUSIC Get access ROBERT WALSER ROBERT WALSER Department of Musicology, University of California, Los Angeles405 Hilgard Avenue, Los Angeles, California 90095, USA. Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 76, Issue 4, November 1995, Pages 657-b–657, https://doi.org/10.1093/ml/76.4.657-b Published: 01 November 1995
It's Not About a Salary
This photo-essay, coupled with oral histories, provides a map of the contemporary hip-hop nation in Los Angeles. Bracketed by introductory essays on the history and production of the music and a glossary, the book aims to engage with the city's rap scene on its own terms, with interviews and images, documenting its movements and influences, its leaders and up-and-comers. From its beginnings, Los Angeles has been a site of multiple voices, dispute…
Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy
The records of La Etnnia in the 1990sThe present study is focused on the first three musical productions of the rap group La Etnnia, published between 1995 and 1997, in Bogotá, Colombia.Although, there are reeditions of the same records in different formats this will not be considered within the present work.In the same manner, background elements prior to the publication of the three records opens a historical and contextual panorama on the orig…
Sounds and Society
Pop
Byrds, the
Hüsker Dü
Van Halen
Heavy metal
Ac/Dc
Black Sabbath
Running with the devil
A comprehensive musical, social, and cultural analysis of heavy metal music. This 2014 edition includes a new foreword contextualizing the work and a new afterword by the author.
Art (12 obras) · Computer Science (9 obras) · History (8 obras) · Music History and Culture (8 obras) · Philosophy (7 obras) · Sociology (6 obras) · Visual arts (6 obras) · History (5 obras) · Philosophy (5 obras) · Aesthetics (4 obras)