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Eruptions

Heavy Metal Appropriations of Classical Virtuosity

Dados Bibliográficos

ID4304533
AutoresRobert Walser (autor correspondente)
Ano1992
Volume11
Fascículo3
Páginas263-308
Data de publicação1992-10-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoPopular Music (JOURNAL)
Identificadores do periódicoISSN: 0261-1430 • E-ISSN: 1474-0095
EditoraCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0261143000005158
OpenAlexW2168590854
IdiomaEN
Citações recebidas23
Referências citadas22

We have now heard him, the strange wonder, whom the superstition of past ages, possessed by the delusion that such things could never be done without the help of the Evil One, would undoubtedly have condemned to the stake - we have heard him, and seen him too, which, of course, makes a part of the affair. Just look at the pale, slender youth in his clothes that signal the nonconformist; the long, sleek, drooping hair ... those features so strongly stamped and full of meaning, in this respect reminding one of Paganini, who, indeed, has been his model of hitherto undreamt-of virtuosity and technical brilliance from the very first moment he heard him and was swept away

Aesthetics · Archaeology · Art · Clothing · Epistemology · Literature · Meaning (existential · Nonconformist · Political science · Politics · Superstition · Visual arts · Wonder · Historical Economic and Social Studies · History · Law · Philosophy · Shakespeare, Adaptation, and Literary Criticism · Theater, Performance, and Music History

  • Male Images in Rock and Pop Music

    Open Access•Roger Horrocks•Male Myths and Icons•1995

  • Putting Class Back into Classical Music Studies

    Open Access•John R Pippen•Music and Politics•2024

  • Whiplash , Buddy Rich, and Visual Virtuosity in Drum Kit Performance

    Open Access•JONATHAN GODSALL•twentieth-century music•2022

  • Whiteness, interpellation, and embodied technique in western classical vocal pedagogy

    Sophie Fetokaki•Music Education Research•2023

  • Heavy Genealogy

    Sandy Brown, Andy R Brown•Journal for Cultural Research•2011

  • An annotated interview with Beastwars

    Jessica Birnie‐smith, Jessica Kruk et al.•Perfect Beat•2023

  • Get In The Ring

    Open Access•Christopher Pruitt•The Journal of Public and…•2019

  • Nailed to the X’

    Robert T Wood, Robert Wood•Journal of Youth Studies•1999

  • Taste externalization practices among Brazilian metal consumers who learn to play musical instruments

    Open Access•Álvaro Leonel De Oliveira Castro, Daniel Carvalho De Rezende•European Journal of Cultural…•2024

  • Musical Anti-Virtuosity in New Zealand’s Nature’s Best

    Nick Braae•Popular Music & Society•2016

  • Multi-Voice Commentary for Sample-Based Music

    Open Access•Maddie Blackburn•Journal of the Royal Musical…•2025

  • Virtuosity as rhetoric

    David L Palmer•Quarterly Journal of Speech•1998

  • Involvement and Detachment

    Open Access•Gary Sinclair•Journal of Macromarketing•2015

  • Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy

    Robert Walser•Ethnomusicology•1995

  • Syncopation in rock

    Open Access•David Temperley•Popular Music•1999

  • The melodic-harmonic 'divorce' in rock

    Open Access•David Temperley•Popular Music•2007

  • Bohemian rhapsodies

    Open Access•Ken Mcleod•Popular Music•2001

  • The Stax sound

    Open Access•Rob Bowman•Popular Music•1995

  • Popular music analysis and musicology

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  • Writing Jimi

    Open Access•Jeff Schwartz•Popular Music•1993

  • Structural relationships of music and images in music video

    Open Access•Alf Björnberg•Popular Music•1994

  • Metal Music and the Aesthetics of Representation

    William M Hawley•The European Legacy•2023

  • The Fist in the Face of God

    Open Access•Adam Mayer, J M Timberlake•Sociological Perspectives•2014

  • Music and society

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  • People's history and socialist theory

    Raphael Samuel•People's history and socialist…•1981

  • Music of the common tongue

    Christopher Small•Music of the common tongue•1994

  • Power and Imagination

    Lauro Martines•Power and imagination•1988

  • Highbrow/Lowbrow

    Lawrence W Levine, Lawrence Levine•Highbrow/Lowbrow•1988

  • Studying popular music

    Richard Middleton•Studying popular music•1990

  • The Invention Of Tradition

    Eric Hobsbawm, Terence O Ranger•Invention of Tradition•2012

  • Power and Imagination. City-States in Renaissance Italy

    Lauro Martines, Cary J Nederman•Renaissance and Reformation•1969

  • You Say You Want a Revolution

    Kenneth J Bindas, Robert G Pielke•American Music•1987

  • The New Grove Dictionary of American Music

    Allen P Britton, H Wiley Hitchcock et al.•American Music•1987

  • Origins of the Popular Style

    Scott Deveaux, Peter Van Der Merwe•American Music•1993

  • Rockin' in Time

    Craig H Russell, David P Szatmary•American Music•1989

  • The New Grove Dictionary of American Music

    Stanley Sadie•American Music•1990

  • Terminal Prestige

    Susan Mcclary•Cultural Critique•1989

  • The New Harvard Dictionary of Music

    Doris Evans Mcginty, Don Michael Randel et al.•The Black Perspective in Music•1988

  • The Penguin Encyclopedia of Popular Music

    Edward Pessen, Donald Clarke•Journal of American History•1991

  • Anthropology as Cultural Critique

    George E Marcus, M M J Fischer et al.•Anthropology as Cultural Critique•1999

  • The Ideology of the Aesthetic

    Terry Eagleton, Terry Francis Eagleton•1990

  • Music-Society-Education

    Charles Keil, Christopher Small•Ethnomusicology•1985

Obras citantes distintas23
Citações por ano0,7
Intervalo de citações1993 - 2025 (33)
Velocidade de citaçãorecent
Altamente citadoNão
Tipos de citaçãoNeutras: 23
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