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Amit Zoran

Dados Biográficos

ID300242
NOMEAmit Zoran
PRENOMESAmit
SOBRENOMEZoran
ASSINATURAZORAN A
AFILIAÇÕESHebrew University of Jerusalem
ORCID0000-0002-9673-9779
VERIFICADOSim
TOTAL DE OBRAS11
TOTAL DE CITAÇÕES17
TOTAL COMO AUTOR11
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2011
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H3
  • The Impact of Sociomaterials on Architectural Learning Processes in Virtual and Physical Design Studios

    Open Access•Barak Pelman, Amit Zoran et al.•ARTICLE•Education Sciences•2025

    Since architectural education has been integrated into academic campuses, the design studio has become its most prominent pedagogical approach. However, in the last three decades, advances in computer-aided design (CAD) and online communication led to the development of virtual design studio (VDS) formats, which gained prominence during the COVID-19 pandemic. VDS and physical design studio (PDS) are characterized by different sociomaterial enviro…

  • Dynamics of artistic style

    Open Access•Nir Dick, Ayala Prusak et al.•ARTICLE•Humanities and Social Sciences…•2021

    The artistic style has been extensively discussed within diverse perspectives, usually studying the physical qualities of existing artifacts as the resource for investigation. This paper proposes a novel analysis of the dynamics of artistic style, as represented by a set of motor features, techniques, and their temporal interplay. The researchers hypothesize that unique characteristics of individuals’ styles are represented as transitions between…

  • The Choreography of the Creative Process

    Amit Zoran, Amit Raphael Zoran et al.•ARTICLE•Leonardo•2021•Referências: 7

    This article provides a new perspective on the contribution of computers to visual art, exploring how the visual product’s aesthetic qualities and the making process itself can render a hybrid artistic outcome. A medium that unifies the physical product with the spirit of the making process has innovative potential for computational artistic practice. The article demonstrates various techniques to visualize artists’ motor performance in activitie…

  • Destruction, Catharsis, and Emotional Release in Human-Robot Interaction

    Open Access•Michal Luria, Ophir Sheriff et al.•ARTICLE•ACM Transactions on Human-Robot…•2020•Citada por: 3•Referências: 10

    The intersection between social, technical, and economic factors biases new product development to focus on utilitarian value. However, objects that serve alternative goals, behaviors and emotions have accompanied humankind for millennia. This article speculates about robotic objects for one non-utilitarian behavior and its implications: destruction. Robots and objects for destruction have a shared history of embodiment and heavily rely on their …

  • On quantifying and visualizing the potter's personal style

    Open Access•Ortal Harush, Naama Glauber et al.•ARTICLE•Journal of Archaeological Science•2019•Citada por: 7•Referências: 14

  • Hybrid Craft

    Amit Zoran•ARTICLE•Leonardo•2015

    August 01 2015 Hybrid Craft: Art Gallery Curator Amit Zoran Amit Zoran Search for other works by this author on: This Site Google Scholar Author and Article Information Amit Zoran Online Issn: 1530-9282 Print Issn: 0024-094X © 2015 ISAST2015 Leonardo (2015) 48 (4): 382–383. https://doi.org/10.1162/LEON_a_01092 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audi…

  • Hybrid Craft

    Amit Zoran, Seppo O Valjakka et al.•ARTICLE•Leonardo•2015

    This article introduces the Hybrid Craft exhibition, positioning 15 hybrid projects in the context of today’s Maker culture. Each project demonstrates a unique integration of contemporary making practice with traditional craft. The presenters in the show represent a wide range of professional backgrounds: independent makers, students and teachers, designers associated with research institutes, and commercial organizations. The background of Hybri…

  • Hybrid Reassemblage

    Amit Zoran, Leah Buechley•ARTICLE•Leonardo•2013•Citada por: 2

    Digital fabrication, and especially 3D printing, is an emerging field that is opening up new possibilities for craft, art and design. The process, however, has important limitations; in particular, digitally designed artifacts are intrinsically reproducible. In stark contrast, traditional craft artifacts are individually produced by hand. The authors combine digital fabrication and craft in their work involving object destruction and restoration:…

  • The Chameleon Guitar-Guitar with a Replaceable Resonator

    Amit Zoran, Joseph A Paradiso•ARTICLE•Journal of New Music Research•2011•Citada por: 1•Referências: 4

    This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and dru…

  • The 3D Printed Flute

    Amit Zoran•ARTICLE•Journal of New Music Research•2011•Citada por: 4•Referências: 2

    This paper considers the controversy of modern acoustic instruments, which may have come to an evolutionary impasse, due to its high standardization that makes it difficult to explore design modifications. A new approach for the design and fabrication of an acoustic instrument is presented, using digital fabrication technologies, and specifically 3D printing, which has the potential to influence new designs, and to lead to new acoustics and ergon…

  • Cornucopia

    Amit Zoran, Marcelo Coelho•ARTICLE•Leonardo•2011

    The authors present a new concept of digital gastronomy-Cornucopia, a futuristic cooking methodology based on digital technologies. They discuss how they have merged kitchen tools with science fiction and actual technologies to create this new design space for gastronomy. The Virtuoso Mixer, the Digital Fabricator and the Robotic Chef were conceptualized to enable more flexibility and control over each of the most important elements of cooking: m…

  • On quantifying and visualizing the potter's personal style

    Open Access•Ortal Harush, Naama Glauber et al.•ARTICLE•Journal of Archaeological Science•2019•Citada por: 7•Referências: 14

  • The 3D Printed Flute

    Amit Zoran•ARTICLE•Journal of New Music Research•2011•Citada por: 4•Referências: 2

    This paper considers the controversy of modern acoustic instruments, which may have come to an evolutionary impasse, due to its high standardization that makes it difficult to explore design modifications. A new approach for the design and fabrication of an acoustic instrument is presented, using digital fabrication technologies, and specifically 3D printing, which has the potential to influence new designs, and to lead to new acoustics and ergon…

  • Destruction, Catharsis, and Emotional Release in Human-Robot Interaction

    Open Access•Michal Luria, Ophir Sheriff et al.•ARTICLE•ACM Transactions on Human-Robot…•2020•Citada por: 3•Referências: 10

    The intersection between social, technical, and economic factors biases new product development to focus on utilitarian value. However, objects that serve alternative goals, behaviors and emotions have accompanied humankind for millennia. This article speculates about robotic objects for one non-utilitarian behavior and its implications: destruction. Robots and objects for destruction have a shared history of embodiment and heavily rely on their …

  • Hybrid Reassemblage

    Amit Zoran, Leah Buechley•ARTICLE•Leonardo•2013•Citada por: 2

    Digital fabrication, and especially 3D printing, is an emerging field that is opening up new possibilities for craft, art and design. The process, however, has important limitations; in particular, digitally designed artifacts are intrinsically reproducible. In stark contrast, traditional craft artifacts are individually produced by hand. The authors combine digital fabrication and craft in their work involving object destruction and restoration:…

  • The Chameleon Guitar-Guitar with a Replaceable Resonator

    Amit Zoran, Joseph A Paradiso•ARTICLE•Journal of New Music Research•2011•Citada por: 1•Referências: 4

    This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and dru…

  • The Chameleon Guitar-Guitar with a Replaceable Resonator

    Amit Zoran, Joseph A Paradiso•ARTICLE•Journal of New Music Research•2011•Citada por: 1•Referências: 4

    This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and dru…

  • The 3D Printed Flute

    Amit Zoran•ARTICLE•Journal of New Music Research•2011•Citada por: 4•Referências: 2

    This paper considers the controversy of modern acoustic instruments, which may have come to an evolutionary impasse, due to its high standardization that makes it difficult to explore design modifications. A new approach for the design and fabrication of an acoustic instrument is presented, using digital fabrication technologies, and specifically 3D printing, which has the potential to influence new designs, and to lead to new acoustics and ergon…

  • Cornucopia

    Amit Zoran, Marcelo Coelho•ARTICLE•Leonardo•2011

    The authors present a new concept of digital gastronomy-Cornucopia, a futuristic cooking methodology based on digital technologies. They discuss how they have merged kitchen tools with science fiction and actual technologies to create this new design space for gastronomy. The Virtuoso Mixer, the Digital Fabricator and the Robotic Chef were conceptualized to enable more flexibility and control over each of the most important elements of cooking: m…

  • Hybrid Reassemblage

    Amit Zoran, Leah Buechley•ARTICLE•Leonardo•2013•Citada por: 2

    Digital fabrication, and especially 3D printing, is an emerging field that is opening up new possibilities for craft, art and design. The process, however, has important limitations; in particular, digitally designed artifacts are intrinsically reproducible. In stark contrast, traditional craft artifacts are individually produced by hand. The authors combine digital fabrication and craft in their work involving object destruction and restoration:…

  • Hybrid Craft

    Amit Zoran•ARTICLE•Leonardo•2015

    August 01 2015 Hybrid Craft: Art Gallery Curator Amit Zoran Amit Zoran Search for other works by this author on: This Site Google Scholar Author and Article Information Amit Zoran Online Issn: 1530-9282 Print Issn: 0024-094X © 2015 ISAST2015 Leonardo (2015) 48 (4): 382–383. https://doi.org/10.1162/LEON_a_01092 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audi…

  • Hybrid Craft

    Amit Zoran, Seppo O Valjakka et al.•ARTICLE•Leonardo•2015

    This article introduces the Hybrid Craft exhibition, positioning 15 hybrid projects in the context of today’s Maker culture. Each project demonstrates a unique integration of contemporary making practice with traditional craft. The presenters in the show represent a wide range of professional backgrounds: independent makers, students and teachers, designers associated with research institutes, and commercial organizations. The background of Hybri…

  • On quantifying and visualizing the potter's personal style

    Open Access•Ortal Harush, Naama Glauber et al.•ARTICLE•Journal of Archaeological Science•2019•Citada por: 7•Referências: 14

  • Destruction, Catharsis, and Emotional Release in Human-Robot Interaction

    Open Access•Michal Luria, Ophir Sheriff et al.•ARTICLE•ACM Transactions on Human-Robot…•2020•Citada por: 3•Referências: 10

    The intersection between social, technical, and economic factors biases new product development to focus on utilitarian value. However, objects that serve alternative goals, behaviors and emotions have accompanied humankind for millennia. This article speculates about robotic objects for one non-utilitarian behavior and its implications: destruction. Robots and objects for destruction have a shared history of embodiment and heavily rely on their …

  • Dynamics of artistic style

    Open Access•Nir Dick, Ayala Prusak et al.•ARTICLE•Humanities and Social Sciences…•2021

    The artistic style has been extensively discussed within diverse perspectives, usually studying the physical qualities of existing artifacts as the resource for investigation. This paper proposes a novel analysis of the dynamics of artistic style, as represented by a set of motor features, techniques, and their temporal interplay. The researchers hypothesize that unique characteristics of individuals’ styles are represented as transitions between…

  • The Choreography of the Creative Process

    Amit Zoran, Amit Raphael Zoran et al.•ARTICLE•Leonardo•2021•Referências: 7

    This article provides a new perspective on the contribution of computers to visual art, exploring how the visual product’s aesthetic qualities and the making process itself can render a hybrid artistic outcome. A medium that unifies the physical product with the spirit of the making process has innovative potential for computational artistic practice. The article demonstrates various techniques to visualize artists’ motor performance in activitie…

  • The Impact of Sociomaterials on Architectural Learning Processes in Virtual and Physical Design Studios

    Open Access•Barak Pelman, Amit Zoran et al.•ARTICLE•Education Sciences•2025

    Since architectural education has been integrated into academic campuses, the design studio has become its most prominent pedagogical approach. However, in the last three decades, advances in computer-aided design (CAD) and online communication led to the development of virtual design studio (VDS) formats, which gained prominence during the COVID-19 pandemic. VDS and physical design studio (PDS) are characterized by different sociomaterial enviro…

Computer Science (11 obras) · Art (8 obras) · Visual arts (7 obras) · Artificial Intelligence (5 obras) · Psychology (4 obras) · Craft (3 obras) · Engineering (3 obras) · Human–computer interaction (3 obras) · Process (computing) (3 obras) · 3D Surveying and Cultural Heritage (2 obras)

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