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Geoffrey Baker

Dados Biográficos

ID3586450
NOMEGeoffrey Baker
PRENOMESGeoffrey
SOBRENOMEBaker
ASSINATURABAKER G
AFILIAÇÕESYale-NUS College
ORCID0000-0003-1586-6985
VERIFICADOSim
TOTAL DE OBRAS17
TOTAL DE CITAÇÕES30
TOTAL COMO AUTOR17
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1976
ANO MAIS RECENTE DE PUBLICAÇÃO2018
ÍNDICE H3
  • Who watches the watchmen? Evaluating evaluations of El Sistema

    Open Access•Geoffrey Baker, Geoff Baker et al.•ARTICLE•British Journal of Music Education•2018

    Within the growing field of publications on El Sistema and Sistema-inspired programmes around the world, a marked divide can be observed between the findings of critical academic studies and commissioned evaluations. Using evaluations of El Sistema in Venezuela and Aotearoa New Zealand as our principal case studies, we argue that this gulf can be explained at least partly by methodological problems in the way that some evaluations are carried out…

  • Legal Others

    Geoffrey Baker, Geoffrey A Baker•ARTICLE•Nineteenth Century Contexts•2018

    You now live among Greeks and not barbarians, And you understand The rule of law and justice ... —Euripides, MedeaIn the introduction to his Practical Treatise on the Law of Evidence in 1824, English

  • The Realist Author and Sympathetic Imagination

    Geoffrey Baker•ARTICLE•Comparative Literature Studies•2018

    Sotirios Paraschas' study of The Realist Author and Sympathetic Imagination begins with a fascinating observation that gives birth to the central conceit of his book: the “gradual semantic attenuation” of the idea of the author in the twentieth century coincides with the moment at which “the concept of realism” also “becomes a problem and an object of contention” (1). Paraschas goes on to explore the vexed relationship between the realist author …

  • "El Sistema, "The Venezuelan Musical Miracle

    Geoffrey Baker, Geoff Baker•ARTICLE•Latin American Music Review•2018•Citada por: 2

    The Venezuelan orchestral training program El Sistema represents a paradox. It may be the most famous and lauded music education system in the world, yet scholarly examination in recent years has revealed numerous flaws in the dominant narrative, which appears increasingly like a myth. This article examines the processes by which this narrative was established both nationally and internationally, focusing on the creation, dissemination, and conso…

  • Impassioned Jurisprudence

    Geoffrey Baker, Geoffrey A Baker•ARTICLE•Nineteenth Century Contexts•2017

    10.1080/08905495.2017.1286564

  • Digital indigestion

    Open Access•Geoffrey Baker•ARTICLE•Popular Music•2015•Citada por: 3•Referências: 13

    This article focuses on three recent manifestations of cumbia in Buenos Aires, Argentina: digital cumbia released by ZZK Records; retro cumbia orchestras; and a newer strand of digital cumbia, música turra. The first two are identified with the middle class, whereas the third emerged from the clases populares ('popular classes'). Música turra is underpinned by government policies towards digital inclusion, while middle-class incursions into the t…

  • Buena Vista in the Club

    Open Access•Geoffrey Baker, Geoff Baker et al.•BOOK•Buena Vista in the Club•2011

  • Preachers, Gangsters, Pranksters

    Open Access•Geoffrey Baker•ARTICLE•The Journal of Popular Culture•2011•Citada por: 1•Referências: 5

  • Cuba Rebelión

    Geoffrey Baker, Geoff Baker•ARTICLE•Latin American Music Review•2011•Citada por: 1

    Cuba Rebelion: Underground Music in Havana (2008) is billed as a documentary about the musical underground of Cuba, and their struggle against the present regime. The trailer describes underground scene of young musicians who, despite their creative suppression and censorship, have the courage to make a statement. This article questions this characterization of contemporary underground music in Havana, analyzing the relationship between Cuban und…

  • Reggaeton

    Geoffrey Baker, Josh Kun et al.•BOOK•Reggaeton•2009

  • Making a Spectacle of Ourselves

    Geoffrey Baker•ARTICLE•Seminar A Journal of Germanic…•2009•Referências: 6

    10.3138/seminar.45.4.353

  • Imposing Harmony

    Geoffrey Baker, Geoff Baker•BOOK•Imposing Harmony•2008•Citada por: 15

    Imposing Harmonyis a groundbreaking analysis of the role of music and musicians in the social and political life of colonial Cuzco. Challenging musicology's cathedral-centered approach to the history of music in colonial Latin America, Geoffrey Baker demonstrates that rather than being dominated by the Cathedral, Cuzco's musical culture was remarkably decentralized. He shows that institutions such as parish churches and monasteries employed indig…

  • Nietzsche, Artaud, and Tragic Politics

    Geoffrey Baker, Geoff Baker•ARTICLE•Comparative Literature•2003

    Nietzsche and the Rebirth of the Tragic

  • Music in the Convents and Monasteries of Colonial Cuzco

    Geoffrey Baker, Geoff Baker•ARTICLE•Latin American Music Review•2003•Citada por: 2•Referências: 4

    In 1673 three Indian maestros cantores were hired to provide their musical services to the monastery of San Juan de Dios in Cuzco. They agreed to perform at five weekly masses and a range of other annual feasts such as the Fridays in Lent, Holy Week, Easter, Palm Sunday, and the feast-days of San Bartolomé and San Juan (the patron saints of the monastery's hospital and of the order), as well as any funerals of members of the monastery. On certain…

  • Incas e indios cristianos

    Open Access•Thomas A Abercrombie, Monique Alaperrine-Bouyer et al.•BOOK•Incas e indios cristianos•2002•Citada por: 6

    Los trabajos reunidos aquí pretenden destacar la complejidad de la relación entre las culturas indígenas locales y los múltiples aspectos de la fe cristiana, y ofrecer nuevos paradigmas para los estudios en religión, historia y antropología. La multiplicidad de las formas de interacción entre quienes propagaron la religión católica y aquellos que la recibieron nos obliga a repensar la visión monolítica de la catequización o conversión de la Améri…

  • History of Architecture and Design 1890-1939

    Peter Lloyd Jones, Tim Benton et al.•ARTICLE•Leonardo•1976

  • The ‘ethnic villancico’ and racial politics in 17th-century México

    Geoffrey Baker

  • Imposing Harmony

    Geoffrey Baker, Geoff Baker•BOOK•Imposing Harmony•2008•Citada por: 15

    Imposing Harmonyis a groundbreaking analysis of the role of music and musicians in the social and political life of colonial Cuzco. Challenging musicology's cathedral-centered approach to the history of music in colonial Latin America, Geoffrey Baker demonstrates that rather than being dominated by the Cathedral, Cuzco's musical culture was remarkably decentralized. He shows that institutions such as parish churches and monasteries employed indig…

  • Incas e indios cristianos

    Open Access•Thomas A Abercrombie, Monique Alaperrine-Bouyer et al.•BOOK•Incas e indios cristianos•2002•Citada por: 6

    Los trabajos reunidos aquí pretenden destacar la complejidad de la relación entre las culturas indígenas locales y los múltiples aspectos de la fe cristiana, y ofrecer nuevos paradigmas para los estudios en religión, historia y antropología. La multiplicidad de las formas de interacción entre quienes propagaron la religión católica y aquellos que la recibieron nos obliga a repensar la visión monolítica de la catequización o conversión de la Améri…

  • Digital indigestion

    Open Access•Geoffrey Baker•ARTICLE•Popular Music•2015•Citada por: 3•Referências: 13

    This article focuses on three recent manifestations of cumbia in Buenos Aires, Argentina: digital cumbia released by ZZK Records; retro cumbia orchestras; and a newer strand of digital cumbia, música turra. The first two are identified with the middle class, whereas the third emerged from the clases populares ('popular classes'). Música turra is underpinned by government policies towards digital inclusion, while middle-class incursions into the t…

  • "El Sistema, "The Venezuelan Musical Miracle

    Geoffrey Baker, Geoff Baker•ARTICLE•Latin American Music Review•2018•Citada por: 2

    The Venezuelan orchestral training program El Sistema represents a paradox. It may be the most famous and lauded music education system in the world, yet scholarly examination in recent years has revealed numerous flaws in the dominant narrative, which appears increasingly like a myth. This article examines the processes by which this narrative was established both nationally and internationally, focusing on the creation, dissemination, and conso…

  • Music in the Convents and Monasteries of Colonial Cuzco

    Geoffrey Baker, Geoff Baker•ARTICLE•Latin American Music Review•2003•Citada por: 2•Referências: 4

    In 1673 three Indian maestros cantores were hired to provide their musical services to the monastery of San Juan de Dios in Cuzco. They agreed to perform at five weekly masses and a range of other annual feasts such as the Fridays in Lent, Holy Week, Easter, Palm Sunday, and the feast-days of San Bartolomé and San Juan (the patron saints of the monastery's hospital and of the order), as well as any funerals of members of the monastery. On certain…

  • Preachers, Gangsters, Pranksters

    Open Access•Geoffrey Baker•ARTICLE•The Journal of Popular Culture•2011•Citada por: 1•Referências: 5

  • Cuba Rebelión

    Geoffrey Baker, Geoff Baker•ARTICLE•Latin American Music Review•2011•Citada por: 1

    Cuba Rebelion: Underground Music in Havana (2008) is billed as a documentary about the musical underground of Cuba, and their struggle against the present regime. The trailer describes underground scene of young musicians who, despite their creative suppression and censorship, have the courage to make a statement. This article questions this characterization of contemporary underground music in Havana, analyzing the relationship between Cuban und…

  • History of Architecture and Design 1890-1939

    Peter Lloyd Jones, Tim Benton et al.•ARTICLE•Leonardo•1976

  • Incas e indios cristianos

    Open Access•Thomas A Abercrombie, Monique Alaperrine-Bouyer et al.•BOOK•Incas e indios cristianos•2002•Citada por: 6

    Los trabajos reunidos aquí pretenden destacar la complejidad de la relación entre las culturas indígenas locales y los múltiples aspectos de la fe cristiana, y ofrecer nuevos paradigmas para los estudios en religión, historia y antropología. La multiplicidad de las formas de interacción entre quienes propagaron la religión católica y aquellos que la recibieron nos obliga a repensar la visión monolítica de la catequización o conversión de la Améri…

  • Nietzsche, Artaud, and Tragic Politics

    Geoffrey Baker, Geoff Baker•ARTICLE•Comparative Literature•2003

    Nietzsche and the Rebirth of the Tragic

  • Music in the Convents and Monasteries of Colonial Cuzco

    Geoffrey Baker, Geoff Baker•ARTICLE•Latin American Music Review•2003•Citada por: 2•Referências: 4

    In 1673 three Indian maestros cantores were hired to provide their musical services to the monastery of San Juan de Dios in Cuzco. They agreed to perform at five weekly masses and a range of other annual feasts such as the Fridays in Lent, Holy Week, Easter, Palm Sunday, and the feast-days of San Bartolomé and San Juan (the patron saints of the monastery's hospital and of the order), as well as any funerals of members of the monastery. On certain…

  • Imposing Harmony

    Geoffrey Baker, Geoff Baker•BOOK•Imposing Harmony•2008•Citada por: 15

    Imposing Harmonyis a groundbreaking analysis of the role of music and musicians in the social and political life of colonial Cuzco. Challenging musicology's cathedral-centered approach to the history of music in colonial Latin America, Geoffrey Baker demonstrates that rather than being dominated by the Cathedral, Cuzco's musical culture was remarkably decentralized. He shows that institutions such as parish churches and monasteries employed indig…

  • Reggaeton

    Geoffrey Baker, Josh Kun et al.•BOOK•Reggaeton•2009

  • Making a Spectacle of Ourselves

    Geoffrey Baker•ARTICLE•Seminar A Journal of Germanic…•2009•Referências: 6

    10.3138/seminar.45.4.353

  • Buena Vista in the Club

    Open Access•Geoffrey Baker, Geoff Baker et al.•BOOK•Buena Vista in the Club•2011

  • Preachers, Gangsters, Pranksters

    Open Access•Geoffrey Baker•ARTICLE•The Journal of Popular Culture•2011•Citada por: 1•Referências: 5

  • Cuba Rebelión

    Geoffrey Baker, Geoff Baker•ARTICLE•Latin American Music Review•2011•Citada por: 1

    Cuba Rebelion: Underground Music in Havana (2008) is billed as a documentary about the musical underground of Cuba, and their struggle against the present regime. The trailer describes underground scene of young musicians who, despite their creative suppression and censorship, have the courage to make a statement. This article questions this characterization of contemporary underground music in Havana, analyzing the relationship between Cuban und…

  • Digital indigestion

    Open Access•Geoffrey Baker•ARTICLE•Popular Music•2015•Citada por: 3•Referências: 13

    This article focuses on three recent manifestations of cumbia in Buenos Aires, Argentina: digital cumbia released by ZZK Records; retro cumbia orchestras; and a newer strand of digital cumbia, música turra. The first two are identified with the middle class, whereas the third emerged from the clases populares ('popular classes'). Música turra is underpinned by government policies towards digital inclusion, while middle-class incursions into the t…

  • Impassioned Jurisprudence

    Geoffrey Baker, Geoffrey A Baker•ARTICLE•Nineteenth Century Contexts•2017

    10.1080/08905495.2017.1286564

  • Who watches the watchmen? Evaluating evaluations of El Sistema

    Open Access•Geoffrey Baker, Geoff Baker et al.•ARTICLE•British Journal of Music Education•2018

    Within the growing field of publications on El Sistema and Sistema-inspired programmes around the world, a marked divide can be observed between the findings of critical academic studies and commissioned evaluations. Using evaluations of El Sistema in Venezuela and Aotearoa New Zealand as our principal case studies, we argue that this gulf can be explained at least partly by methodological problems in the way that some evaluations are carried out…

  • Legal Others

    Geoffrey Baker, Geoffrey A Baker•ARTICLE•Nineteenth Century Contexts•2018

    You now live among Greeks and not barbarians, And you understand The rule of law and justice ... —Euripides, MedeaIn the introduction to his Practical Treatise on the Law of Evidence in 1824, English

  • The Realist Author and Sympathetic Imagination

    Geoffrey Baker•ARTICLE•Comparative Literature Studies•2018

    Sotirios Paraschas' study of The Realist Author and Sympathetic Imagination begins with a fascinating observation that gives birth to the central conceit of his book: the “gradual semantic attenuation” of the idea of the author in the twentieth century coincides with the moment at which “the concept of realism” also “becomes a problem and an object of contention” (1). Paraschas goes on to explore the vexed relationship between the realist author …

  • "El Sistema, "The Venezuelan Musical Miracle

    Geoffrey Baker, Geoff Baker•ARTICLE•Latin American Music Review•2018•Citada por: 2

    The Venezuelan orchestral training program El Sistema represents a paradox. It may be the most famous and lauded music education system in the world, yet scholarly examination in recent years has revealed numerous flaws in the dominant narrative, which appears increasingly like a myth. This article examines the processes by which this narrative was established both nationally and internationally, focusing on the creation, dissemination, and conso…

  • The ‘ethnic villancico’ and racial politics in 17th-century México

    Geoffrey Baker

Political science (12 obras) · Law (11 obras) · Art (10 obras) · Sociology (9 obras) · Philosophy (8 obras) · History (7 obras) · Law (6 obras) · Philosophy (6 obras) · History (5 obras) · Humanities (5 obras)

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