Music in the Convents and Monasteries of Colonial Cuzco

Dados Bibliográficos

ID3979795
AutoresGeoffrey Baker (0000-0003-1586-6985), Geoff Baker (0009-0003-1010-2609, autor correspondente)
Ano2003
Volume24
Fascículo1
Páginas1-41
Data de publicação2003-01-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoLatin American Music Review (JOURNAL)
Identificadores do periódicoISSN: 0163-0350 • E-ISSN: 1536-0199
EditoraProject MUSE (PUBLISHER • US)
DOI10.1353/lat.2003.0004
OpenAlexW1496646988
IdiomaEN
Citações recebidas4
Referências citadas13

In 1673 three Indian maestros cantores were hired to provide their musical services to the monastery of San Juan de Dios in Cuzco. They agreed to perform at five weekly masses and a range of other annual feasts such as the Fridays in Lent, Holy Week, Easter, Palm Sunday, and the feast-days of San Bartolomé and San Juan (the patron saints of the monastery's hospital and of the order), as well as any funerals of members of the monastery. On certain occasions they were required to bring their shawms (the Fridays in Lent and the monthly misas de renovación), and on others to take part in processions (Holy Thursday and Easter Day). On all these occasions, they were expected to bring twelve singers and four instrumentalists—an organist, harpist, bajonero, and cornetista. 1

Ancient history · Archaeology · Art · Colonialism · Humanities · Musical · Theology · Thursday · Visual arts · History · Latin American history and culture · Philosophy