What’s Hecuba to Shakespeare
Dados Bibliográficos
| ID | 10422123 |
|---|---|
| Autores | Tanya Pollard (0000-0002-6272-1204, The Graduate Center, CUNY, autor correspondente) |
| Ano | 2012 |
| Volume | 65 |
| Fascículo | 4 |
| Páginas | 1060-1093 |
| Data de publicação | 2012-12-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Renaissance Quarterly (JOURNAL) |
| Identificadores do periódico | ISSN: 0034-4338 • E-ISSN: 1935-0236 |
| Editora | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.1086/669345 |
| OpenAlex | W1673542574 |
| Idioma | EN |
| Citações recebidas | 12 |
| Referências citadas | 61 |
When Hamlet reflects on the charged power of the tragic theater, the figure who haunts his imagination is Hecuba, Queen of Troy, whose tragedy came to define the genre in sixteenth-century Europe. As a bereaved mourner who seeks revenge, Hecuba offers a female version of Hamlet. Yet even while underscoring her tragic power, Shakespeare simultaneously establishes a new model of tragic protagonist, challenging the period’s longstanding identification of tragedy with women. In exploring why both Hamlet and Shakespeare are preoccupied with Hecuba, this article argues that ignoring the impact of Greek plays in sixteenth-century England has left a gap in our understanding of early modern tragedy. Attending to Hecuba highlights Shakespeare’s innovations to a genre conventionally centered on female grief. In invoking Hecuba as an icon of tragedy, Shakespeare both reflects on and transforms women’s place in the genre
Art · HAMLET (protein complex · Literature · Physics · Power (physics · Tragedy (event · History · Lexicography and Language Studies · Literature: history, themes, analysis · Marriage and Sexual Relationships
Gathering Force
Greek Tragedy on the University Stage
Some Deeper Thing
Hamlet’s Tears
Early Modern Antigones
Homer and Greek tragedy in early modern England's theatres
Realms so barbarous and cruell’
Oedipus at Dover Cliff
Shakespeare and the Greeks
Classical Greek Tragedy and Shakespeare
Milton, drama, and Greek texts
For One's Offence Why Should so Many Fall
Tragedy and the Tragic
Classics and the Uses of Reception
Shakespeare's Troy
The Art of Euripides
The Rhetoric of the Body from Ovid to Shakespeare
Shakespeare and Classical Tragedy
The Classical Heritage and its Beneficiaries
Helping Friends and Harming Enemies
Reading Greek Tragedy
The Cambridge History Of Literary Criticism
William Shakspere's Small Latine and Lesse Greeke.
William Shakspere's Small Latine and Lesse Greeke
Literary Criticism
Reading Greek Tragedy
Dangerous Voices
The Woman's Part
Comic Women, Tragic Men, A Study of Gender and Genre in Shakespeare
Beyond the Spanish Tragedy
Shakespeare and Classical Tragedy
On First Looking into Lumley's Euripides
Jocasta
Jure Principem Locum Tenet’
Seneca in Early Elizabethan England
Guilty Creatures Sitting at a Play
Wild Justice
The Ritual Lament in Greek Tradition
Transnational Exchange in Early Modern Theater
Nothing to Do with Dionysus
Nothing to Do with Dionysos
The Classical Heritage and its Beneficiaries
The Absent One
Revenge in Attic and Later Tragedy
Shakespeare and the Kinds of Drama
| Obras citantes distintas | 12 |
|---|---|
| Citações por ano | 0,92 |
| Intervalo de citações | 2013 - 2025 (13) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 12 |