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What’s Hecuba to Shakespeare

Dados Bibliográficos

ID10422123
AutoresTanya Pollard (0000-0002-6272-1204, The Graduate Center, CUNY, autor correspondente)
Ano2012
Volume65
Fascículo4
Páginas1060-1093
Data de publicação2012-12-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoRenaissance Quarterly (JOURNAL)
Identificadores do periódicoISSN: 0034-4338 • E-ISSN: 1935-0236
EditoraUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/669345
OpenAlexW1673542574
IdiomaEN
Citações recebidas12
Referências citadas61

When Hamlet reflects on the charged power of the tragic theater, the figure who haunts his imagination is Hecuba, Queen of Troy, whose tragedy came to define the genre in sixteenth-century Europe. As a bereaved mourner who seeks revenge, Hecuba offers a female version of Hamlet. Yet even while underscoring her tragic power, Shakespeare simultaneously establishes a new model of tragic protagonist, challenging the period’s longstanding identification of tragedy with women. In exploring why both Hamlet and Shakespeare are preoccupied with Hecuba, this article argues that ignoring the impact of Greek plays in sixteenth-century England has left a gap in our understanding of early modern tragedy. Attending to Hecuba highlights Shakespeare’s innovations to a genre conventionally centered on female grief. In invoking Hecuba as an icon of tragedy, Shakespeare both reflects on and transforms women’s place in the genre

Art · HAMLET (protein complex · Literature · Physics · Power (physics · Tragedy (event · History · Lexicography and Language Studies · Literature: history, themes, analysis · Marriage and Sexual Relationships

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Obras citantes distintas12
Citações por ano0,92
Intervalo de citações2013 - 2025 (13)
Velocidade de citaçãorecent
Altamente citadoNão
Tipos de citaçãoNeutras: 12
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