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The Rhetoric of the Body from Ovid to Shakespeare

Dados Bibliográficos

ID23769713
AutoresLynn Enterline (Vanderbilt University, autor correspondente)
Ano2000
Data de publicação2000-05-11
Open AccessSim
TipoBOOK
PeriódicoRhetoric of the Body from Ovid to Shakespeare (SOURCE_BOOK)
EditoraCambridge University Press (PUBLISHER • US)
DOI10.1017/cbo9780511483561
OpenAlexW4298453926
ISBN9780511483561
IdiomaEN
Citações recebidas18

This persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often disruptive force that Ovidian rhetoric exerts on early modern poetry, particularly on representations of the self, the body and erotic life. Paying close attention to the trope of the female voice in the Metamorphoses, as well as early modern attempts at transgendered ventriloquism that are indebted to Ovid's work, she argues that Ovid's rhetoric of the body profoundly challenges Renaissance representations of authorship as well as conceptions about the difference between male and female experience. This vividly original book makes a vital contribution to the study of Ovid's presence in Renaissance literature.

Aesthetics · Art · Art history · Early Modern literature · Linguistics · Literature · Narrative · Poetry · Rhetoric · The Renaissance · Trope (literature) · Early Modern Spanish Literature · Philosophy · Renaissance and Early Modern Studies

  • The Insistence of Art

    Open Access•Paul A Kottman•The Insistence of Art•2020

  • Introduction

    Valerie Traub•Ovidian Transversions•2019

  • Critical Ancient World Studies

    Open Access•Mathura Umachandran, Marchella Ward•Critical Ancient World Studies•2023

  • Archive Feelings

    Open Access•Mario Telo•Archive Feelings•2020

  • Matermorphoses

    Open Access•Mairéad McAuley•Eugesta•2012

  • Action Figures in Shakespeare’s Lucrece

    John Baxter•Renaissance and Reformation•1969

  • Blood, barbarism, and belly laughs

    Jessica Lugo•English Studies•2007

  • The Insistence of Art

    Open Access•Paul A Kottman•The Insistence of Art•2016

  • Shakespeare and the Classics

    Charles Martindale, A B Taylor•Shakespeare and the Classics•2009

  • ‘These are the only men’

    Open Access•Erica Sheen•Shakespeare and the Classics•2004

  • Action at a Distance

    Open Access•A D Nuttall•Shakespeare and the Classics•2004

  • ‘Confusion now hath made his masterpiece’

    Open Access•Yves Peyré•Shakespeare and the Classics•2004

  • The Poetics of Power in Augustan Rome

    Open Access•Nandini B Pandey•Poetics of Power in Augustan Rome•2018

  • Subverting Visual Discourses of Gender and Geography

    Open Access•M Melissa Elston•The Journal of American Culture•2012

  • A Queer Feeling When I Look at You”

    Elyce Rae Helford•Journal of Bisexuality•2007

  • Translating Ovid's Metamorphoses in Tudor Balladry

    Open Access•Lindsay Ann Reid•Renaissance Quarterly•2019

  • What’s Hecuba to Shakespeare

    Open Access•Tanya Pollard•Renaissance Quarterly•2012

  • Studying the echo in the early modern period

    Open Access•Leendert Van Der Miesen•Sound Studies•2020

Obras citantes distintas18
Citações por ano0,32
Intervalo de citações1969 - 2023 (55)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 12
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