Sociable Musicopoetics in Vijay Iyer and Mike Ladd’s In What Language

Dados Bibliográficos

ID15006322
AutoresVilde Aaslid (University of Rhode Island, autor correspondente)
Ano2022
Volume28
Fascículo3
Data de publicação2022-09-01
Open AccessSim
TipoARTICLE
PeriódicoMusic Theory Online (JOURNAL)
Identificadores do periódicoISSN: 1067-3040 • E-ISSN: 1067-3040
EditoraSociety for Music Theory (PUBLISHER • US)
DOI10.30535/mto.28.3.1
OpenAlexW4392836441
IdiomaEN
Citações recebidas1
Referências citadas30

Through an extended analysis of an excerpt from Vijay Iyer and Mike Ladd’s In What Language, this essay engages with the ongoing deepening of the theory of improvised interactivity. Few studies within music research have considered the rich body of works combining music and poetry in improvising contexts. This article advocates for listening to Iyer and Ladd’s co-created work through the lens of sociable musicopoetics, an analytical stance that hears the interactivity in their creative processes. Through analysis and interviews, this article suggests that the sociable musicopoetics framework helps work against the restrictive binaries of music/language and composition/improvisation and enriches the understanding of improvised music and poetry combinations by highlighting the meaningfulness of interaction itself

Active listening · Aesthetics · Art · Improvisation · Interactivity · Linguistics · Literature · Multimedia · Poetry · Sociology · Visual arts · Communication · Computer Science · Music and Audio Processing · Music Technology and Sound Studies · Neuroscience and Music Perception · Philosophy · Psychology

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