Subjective (Re)positioning in Musical Improvisation

Analyzing the Work of Five Female Improvisers

Dados Bibliográficos

ID4390574
AutoresMarc E Hannaford (0000-0001-8818-6898, Columbia University, autor correspondente)
Ano2017
Volume23
Fascículo2
Data de publicação2017-06-01
Open AccessSim
TipoARTICLE
PeriódicoMusic Theory Online (JOURNAL)
Identificadores do periódicoISSN: 1067-3040 • E-ISSN: 1067-3040
EditoraSociety for Music Theory (PUBLISHER • US)
DOI10.30535/mto.23.2.7
OpenAlexW2724841496
IdiomaEN
Citações recebidas7
Referências citadas28

This article analyzes the music of five female improvisers. I employ these women's lived experiences of discrimination as a basis for my analysis of improvisation in terms of what I call subjective (re)positioning.Given these women's experiences of discrimination, trust means something far richer than musically working together during performance. Trusting improvising partners create a conceptual space in which musicians are able to position and reposition themselves, thus expressing agency

Aesthetics · Art · Business · Cognitive psychology · Improvisation · Linguistics · Musical · Social science · Sociology · Visual arts · Diverse Music Education Insights · Music History and Culture · Musicology and Musical Analysis · Philosophy · Psychology

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