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Observation, Performance and Revolution

Exploring "The Political" in Visual Art and Anthropology

Dados Bibliográficos

ID2163271
AutoresMassimiliano Mollona (0000-0002-0786-6443, Schlumberger (Ireland), autor correspondente)
Ano2013
Volume26
Fascículo1
Páginas34-50
Data de publicação2013-01-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoVisual Anthropology (JOURNAL)
Identificadores do periódicoISSN: 0894-9468 • E-ISSN: 1545-5920
EditoraInforma UK Limited (PUBLISHER • GB)
DOI10.1080/08949468.2013.735184
OpenAlexW1980937032
IdiomaEN
Referências citadas13

Following up on Marcus's seminal article on cinema and ethnography [1995 Marcus , George 1995 The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage . In Fields of Vision. Essays in Film Studies, Visual Anthropology and Photography . Leslie Devereaux and Richard Hillman , eds. Pp. 2 – 12 . Berkeley : University of California Press . [Google Scholar]] and weaving together anthropology, film theory and the analysis of four films—from the ethnographic, commercial, art and documentary genres—I argue that cinema can open a democratic and egalitarian space of observation of and interaction with “the other” and that anthropologists should approach their subjects in ways similar to some other filmmakers. But unlike Marcus, who considers films as metaphors of ethnography and advocates a posture of modernist distance, I look for juxtapositions between film and anthropology and, extending the Surrealist notion of “the double” across the fields of politics and aesthetics, I argue for a humanist anthropology, one that celebrates the dual nature of humans and cinema

Aesthetics · Anthropology of art · Art · Art history · Contemporary art · Digital anthropology · Ethnography · Humanism · Literature · Metaphor · Movie theater · Performance art · Politics · Sensibility · Sociology · Visual anthropology · Anthropology · Italian Fascism and Post-war Society · Law in Society and Culture · Memory, Trauma, and Commemoration · Philosophy

  • The Third Eye

    Fatimah Tobing Rony•Third Eye•1996

  • The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage

    Open Access•George E Marcus•Society for Visual Anthropology…•1990

  • The Politics of Aesthetics

    Open Access•John Walker, John A Walker•The Art Book•2005

  • Fields of Vision

    Open Access•Toby Miller•Visual Anthropology Review•1995

  • Understanding Event Analysis Using the Films of Timothy Asch

    Open Access•Alexander Moore•Visual Anthropology Review•1995

  • The Challenges of a Pioneer

    Open Access•Wilton Martínez•Visual Anthropology Review•1995

  • The Cinema, or The Imaginary Man

    Martha Blassnigg•Leonardo•2006

  • Out of Sync

    Open Access•Jay Ruby•Visual Anthropology Review•1995

  • Divine Horsemen

    Open Access•George M Epple•American Anthropologist•1982

  • Man and the Sacred

    Joseph G Green, Roger Caillois et al.•The American Catholic Sociological…•1959

  • The Cinematic Griot

    Peter Loizos, P Stoller•Man•1993

  • The Ax Fighton CD-ROM

    Peter Biella•Visual Anthropology•1998

Velocidade de citaçãohistorical
Altamente citadoNão
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