Observation, Performance and Revolution
Exploring "The Political" in Visual Art and Anthropology
Dados Bibliográficos
| ID | 2163271 |
|---|---|
| Autores | Massimiliano Mollona (0000-0002-0786-6443, Schlumberger (Ireland), autor correspondente) |
| Ano | 2013 |
| Volume | 26 |
| Fascículo | 1 |
| Páginas | 34-50 |
| Data de publicação | 2013-01-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Visual Anthropology (JOURNAL) |
| Identificadores do periódico | ISSN: 0894-9468 • E-ISSN: 1545-5920 |
| Editora | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/08949468.2013.735184 |
| OpenAlex | W1980937032 |
| Idioma | EN |
| Referências citadas | 13 |
Following up on Marcus's seminal article on cinema and ethnography [1995 Marcus , George 1995 The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage . In Fields of Vision. Essays in Film Studies, Visual Anthropology and Photography . Leslie Devereaux and Richard Hillman , eds. Pp. 2 – 12 . Berkeley : University of California Press . [Google Scholar]] and weaving together anthropology, film theory and the analysis of four films—from the ethnographic, commercial, art and documentary genres—I argue that cinema can open a democratic and egalitarian space of observation of and interaction with “the other” and that anthropologists should approach their subjects in ways similar to some other filmmakers. But unlike Marcus, who considers films as metaphors of ethnography and advocates a posture of modernist distance, I look for juxtapositions between film and anthropology and, extending the Surrealist notion of “the double” across the fields of politics and aesthetics, I argue for a humanist anthropology, one that celebrates the dual nature of humans and cinema
Aesthetics · Anthropology of art · Art · Art history · Contemporary art · Digital anthropology · Ethnography · Humanism · Literature · Metaphor · Movie theater · Performance art · Politics · Sensibility · Sociology · Visual anthropology · Anthropology · Italian Fascism and Post-war Society · Law in Society and Culture · Memory, Trauma, and Commemoration · Philosophy
The Third Eye
The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage
The Politics of Aesthetics
Fields of Vision
Understanding Event Analysis Using the Films of Timothy Asch
The Challenges of a Pioneer
The Cinema, or The Imaginary Man
Out of Sync
Divine Horsemen
Man and the Sacred
The Cinematic Griot
The Ax Fighton CD-ROM
| Velocidade de citação | historical |
|---|---|
| Altamente citado | Não |