La mariposita ¿La recuerda
The Affective and Moral Dimensions of Professional Vision in Learning to Play the Violin
Dados Bibliográficos
| ID | 2168045 |
|---|---|
| Autores | Sarah Jean Johnson (0000-0002-4543-7965, Department of Teacher Education, University of Texas, El Paso, TX, USA, autor correspondente) |
| Ano | 2023 |
| Volume | 30 |
| Fascículo | 3-4 |
| Páginas | 209-232 |
| Data de publicação | 2023-10-02 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Mind Culture and Activity (JOURNAL) |
| Identificadores do periódico | ISSN: 1074-9039 • E-ISSN: 1532-7884 |
| Editora | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/10749039.2023.2300140 |
| OpenAlex | W4390266089 |
| Idioma | EN |
| Citações recebidas | 3 |
| Referências citadas | 77 |
This is a microanalytic study of a metaphorical story, which is co-constructed by a violin teacher and her emergent bilingual student as part of building the child's professional vision within the art form. The findings center on the multi-functionality of the metaphorical story in facilitating participants' evolving affective and moral alignments to knowledge within the interaction. This analytic locus also illuminates the ways in which the teacher's ethical perception of her pupil's embodied forms of responsiveness and resistance cultivates rich forms of joint activity. This research advances our understanding of cognition and learning in situ within humanizing pedagogies
Art · Art history · Psychoanalysis · Violin · Diverse Music Education Insights · Educational theories and practices · Health, Education, and Physical Culture · Psychology
He-said-she-said
Rethinking linguistic relativity
Subtractive Schooling
Border Thinking
Funds of Knowledge
Metaphors We Live By
Embodied Family Choreography
Apprenticeship in Thinking
Cognition in the Wild
Chapter 1. The phenomenology of body memory
Foundations in sociolinguistics
Wisdom sits in places
The Morality of Knowledge in Conversation
Showing and telling—How directors combine embodied demonstrations and verbal descriptions to instruct in theater rehearsals
Agency, accountability and affect
Learning to perform
“Boom, so it will be like an attack” Demonstrating in a dance class through verbal, sound and body imagery
Instructing embodied knowledge
Monitoring and evaluating body knowledge
Vocalizations in dance classes teach body knowledge
Synchronization in demonstrations. Multimodal practices for instructing body knowledge
Immigrant Children in Transcultural Spaces
Staging social aggression
Moral order among members of a friendship group of preschool boys
Improvisational Cultures
The Perceived Body and Embodied Vision in Interaction
Learning Lessons
Participation, affect, and trajectory in family directive/response sequences
Morality-in-interaction
Reframing language allocation policy in dual language bilingual education
Getting Ready to Move as a Couple
The emergence of learnables in music masterclasses
Touch and talk
Singing in interaction
Singing in “another” language
The Interdependence of Bodily Demonstrations and Clausal Syntax
Assessment and Direction Through Nonlexical Vocalizations in Music Instruction
Matters of participation
Nature-culture constructs in science learning
Philosophical investigations
Moral Imagination
The education of attention in enskillment
Japanese onomatopoeia in bodily demonstrations in a traditional dance instruction
To stage an overlap - The longitudinal, collaborative and embodied process of staging eight lines in a professional theatre rehearsal process
A Simplest Systematics for the Organization of Turn-Taking for Conversation
Affective stances in teacher-novice student interactions
Situated Learning
Con Respeto
Taught Cognitive learning in its Immediate Environments
Professional Vision
Embodiment in Human Communication
Mexican-heritage Children's Learning of Ballet Folklórico
"Pedagogical "Hands and Eyes
Techniques of the body∗
| Obras citantes distintas | 3 |
|---|---|
| Citações por ano | 3 |
| Intervalo de citações | 2025 - 2026 (2) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 3 |