Life after New Media
Mediation as a Vital Process
Dados Bibliográficos
| ID | 23398455 |
|---|---|
| Autores | Sarah Kember (0009-0009-2615-1329), Joanna Zylinska (0009-0002-2829-2327) |
| Ano | 2012 |
| Páginas | 288 |
| Data de publicação | 2012-09-21 |
| Open Access | Não |
| Tipo | BOOK |
| Periódico | Life after New Media (SOURCE_BOOK) |
| Editora | The MIT Press (PUBLISHER • US) |
| DOI | 10.7551/mitpress/8796.001.0001 |
| OpenAlex | W4248182500 |
| Open Library | OL29668636M |
| ISBN | 9780262305358 |
| Idioma | EN |
| Citações recebidas | 113 |
An argument for a shift in understanding new media—from a fascination with devices to an examination of the complex processes of mediation. In Life after New Media, Sarah Kember and Joanna Zylinska make a case for a significant shift in our understanding of new media. They argue that we should move beyond our fascination with objects—computers, smart phones, iPods, Kindles—to an examination of the interlocking technical, social, and biological processes of mediation. Doing so, they say, reveals that life itself can be understood as mediated—subject to the same processes of reproduction, transformation, flattening, and patenting undergone by other media forms. By Kember and Zylinska's account, the dispersal of media and technology into our biological and social lives intensifies our entanglement with nonhuman entities. Mediation—all-encompassing and indivisible—becomes for them a key trope for understanding our being in the technological world. Drawing on the work of Bergson and Derrida while displaying a rigorous playfulness toward philosophy, Kember and Zylinska examine the multiple flows of mediation. Importantly, they also consider the ethical necessity of making a “cut” to any media processes in order to contain them. Considering topics that range from media-enacted cosmic events to the intelligent home, they propose a new way of “doing” media studies that is simultaneously critical and creative, and that performs an encounter between theory and practice.
Computer Science · Media Studies and Communication · Digital media · Mass media · Mass media and technology · Social aspects · Social media · Technology
Vertical Mediation
Nature, History, and Culture as Tourism Attractors
Remediaciones de la imagen
On Splits, Big and Little
Governable spaces
Prawda ekranu. O praktyce screenshotowania
Biometria w sztuce nowych mediów. Ewelina Twardoch-Raś, Sztuka biometryczna w perspektywie filozofii post- i transhumanizmu. W stronę estetyki postafektywnej, Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków 2021, ss. 640
Guerre des drones, médiation verticale et la classe ciblée
There is no cure
The Slimic Imagination and Elemental Eco-Horror
The Role of New Media in Shaping a Creative Environment for Regional Development
Fotografía Digital en Perspectiva
Polymedia and Ethnography
Media Access and Political Efficacy in the Eco-politics of Climate Change
Paper, glass, algorithm
Whole world within reach
Theses on the Philosophy of History
Televisual epistemologies and beyond
Photovoice 2.0
Pornography's media breakdown
Can digital health save democracy? Meeting the cosmopolitical challenge of digital worlds
Men don't do Botox, they do Brotox’ – Emerging Configurations of Masculinity in the Marketing of Cosmetic Treatments Online
Asynchronous Encounters
Networked Technologies as Sites and Means of Nonviolence
Some ethnographic notes on a Flickr group
Analysis of Photo Sharing and Visual Social Relationships
Tweakments
City Inside the Oven”
As Networks Fail
Affective encounters
Farm media
Operational analysis
Platformed intimacies
Introduction
Beyond Mapping
The disgust of Donald Trump
Snapchat and digitally mediated sexualised communication
Structuring Surrogacy through “Choice” on the Websites of Russia-based Surrogacy Agencies
Spatial media/tion
Social Media and the Politics of Small Data
The methodology of a multi-model project examining how facebook infrastructures social relations
Nonhuman humanitarianism
Technologically underwhelmed
The subject of circulation
Participatory presence – social connectedness through collaborative art practices
Imagineering’ mixed reality (MR) immersive experiences in the postdigital revolution
Unblackboxing mediation in the digital mine
Excavating the Centrality of Materiality for a Posthuman “Anthropomediality”
Climate Trauma, or the Affects of the Catastrophe to Come
Mediating affect in John Pilger’s Utopia
Introduction
Theorizing the present
Mediating memory
‘Media Events’ reconsidered
Media Ecologies of Plant Invasion
Eco-media Events in China
Theorizing femininity in artificial intelligence
Dataficação da vida
Stranger-ness and Belonging in a Neighbourhood WhatsApp Group
Earth Observation and Signal Territories
Compression in Philosophy
Mediated ownership
The digital mundane
You are the first journalist and you are the last journalist who will ever come here’
Conceptualising aesthetic power in the digitally-mediated city
The figure of the guide
Governing emergencies
Selfies, relfies and phallic tagging
Photography After the Human
Introduction to geomedia histories
A sky full of signal
Digital ecologies
I Will DO Everything That Am Asked
Radical Mediation
Existential media
Chronic Media Worlds
In Defence of 'Noir Theory
Being and becoming in the culture of immediacy
Good night versus goodbye? Comparing the mourning remarks of virtual and human uploaders through a data-mining approach
Collective, unruly, and becoming
Destabilized Perception
Speaking ‘unspeakable things
The technology multiple
Life after new media
Critique of sensoric mediality – An experimental approach to chains of translation between the analog and the digital
Becoming Your 'Authentic' Self
Vital Media
Interacting for Peace
Imagining research together and working across divides
Unruly Gestures
Materialidades y procesos de materialización de la etnografía como escritura académica
Sonic Technoecology
From Fisheries Decline to Tourism Destination
Digitally Mediated Iconoclasm
From the families we choose to the families we find online
Doing feminism
The Armchair Traveler's Guide to Digital Environmental Humanities
Planetary media
Affect and critique
Hackathons, data and discourse
| Obras citantes distintas | 113 |
|---|---|
| Citações por ano | 8,69 |
| Intervalo de citações | 2013 - 2026 (14) |
| Velocidade de citação | current |
| Altamente citado | Sim |
| Tipos de citação | Neutras: 113 |