A literary stylistic analysis of a poem by the Somali poet Axmed Ismaciil Diiriye 'Qaasim
Dados Bibliográficos
| ID | 2808619 |
|---|---|
| Autores | Martin Orwin (0000-0003-2369-8010, autor correspondente) |
| Ano | 2000 |
| Volume | 63 |
| Fascículo | 2 |
| Páginas | 194-214 |
| Data de publicação | 2000-01-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Bulletin of the School of Oriental and African Studies (JOURNAL) |
| Identificadores do periódico | ISSN: 0041-977X • E-ISSN: 1474-0699 |
| Editora | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0041977x00007187 |
| OpenAlex | W2120580712 |
| Idioma | EN |
| Citações recebidas | 3 |
| Referências citadas | 5 |
This article presents a stylistic analysis of a poem which we shall call Macaan iyo Qadhaadh, 'Sweet and bitter' by the Somali poet Axmed Ismaciil Diiriye 'Qaasim'. It will show ways in which the language has been crafted syntactically, metrically, alliteratively and in other ways so as to contribute to the power and meaning of the poem as a whole. A stylistics-based approach has been followed looking at the actual language structures and stylistic devices used in the poem and ideas are proposed on their contribution to the meaning and power of the poem. Cureton (1992) has been influential in the way grouping of lines has been dealt with and in how prolongation in the poem has been presented and discussed
Art · Epistemology · Linguistics · Literature · Meaning (existential) · Poetry · Power (physics) · Somali · Stylistics · History · Multilingual Education and Policy · Philosophy · Postcolonial and Cultural Literary Studies · Swearing, Euphemism, Multilingualism
| Obras citantes distintas | 3 |
|---|---|
| Citações por ano | 0,12 |
| Intervalo de citações | 2000 - 2024 (25) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 3 |