Marketing an imagined Muslim woman

Muslim Girlmagazine and the politics of race, gender and representation

Dados Bibliográficos

ID2963185
AutoresShelina Kassam (University of Toronto, autor correspondente)
Ano2011
Volume17
Fascículo4
Páginas543-564
Data de publicação2011-07-01
Peer ReviewedSim
Open AccessNão
TipoARTICLE
PeriódicoSocial Identities (JOURNAL)
Identificadores do periódicoISSN: 1350-4630 • E-ISSN: 1363-0296
EditoraInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13504630.2011.587308
OpenAlexW2056842009
IdiomaEN
Citações recebidas4
Referências citadas23

This article examines the magazine Muslim Girl (started publication 2007) and explores how the representations on the magazine's pages construct a particular type of identity for Muslim women: an ‘idealized’ Muslim woman who is both North American/Western and Muslim. Such a woman is portrayed as liberal, educated, fashionable, a ‘can-do’ woman, who is also committed to her faith. This ‘ideal’ woman is situated squarely as a neo-liberal subject in an increasingly consumerist world: she is ‘marketable’ (and marketed) as the ‘good Muslim’ (Mamdani, 2004) and is positioned as the ‘familiar stranger’ (Ahmed, 2000) in North America. This so-called ‘modern’ Muslim (read: ‘good Muslim’) is juxtaposed both against the ‘fundamentalist’ Muslim (read: ‘bad Muslim’) and the ‘normalized’ white North American subject. Against the discourse of post 9/11 nationalism and within the context of (gendered) Orientalism, this article argues that such idealized representations present easily recognizable tropes, which serve important political, ideological and cultural purposes within North American society. An analysis of these representations – and the purposes which they serve – provides an important window into the nuances of the structured discourses that seek to control and discipline the gendered Muslim body. On the one hand, the representations in Muslim Girl focus on the so-called ‘integrated North American Muslim’ – a ‘modern’ or ‘good’ Muslim – within the context of the multicultural, neo-liberal and post 9/11 nation-state. On the other hand, these representations also highlight examples of Muslim women, who seemingly remain committed to their faith and community. Such representations of hybridized North American Muslims speak powerfully to the forces – ideological, cultural, political and social – that are at play in the post 9/11 world. In analyzing the representations found in Muslim Girl, this paper provides an insight into some of these forces and their implications

Faith · Ideology · Multiculturalism · Muslim world · Nationalism · Orientalism · Political science · Politics · Sociology · Gender Studies · Gender, Feminism, and Media · History · Law · Media Studies and Communication · Media, Gender, and Advertising