Figurations of Mentorship for Cultural Work
Dados Bibliográficos
| ID | 3012880 |
|---|---|
| Autores | Frédérik Lesage (0000-0002-9539-0958, Simon Fraser University, autor correspondente), Yijia Zhang (0000-0003-0351-5950, University of British Columbia) |
| Ano | 2025 |
| Data de publicação | 2025-09-08 |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Cultural Sociology (JOURNAL) |
| Identificadores do periódico | ISSN: 1749-9755 • E-ISSN: 1749-9763 |
| Editora | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/17499755251360152 |
| OpenAlex | W4414116717 |
| Idioma | EN |
| Citações recebidas | 1 |
| Referências citadas | 40 |
As cultural work becomes increasingly precarious and digitally mediatized, we ask how mentorship can continue to play a crucial role in shaping how the know-how of cultural work is organized and shared. Drawing on a case study of a mentorship program for cultural work taking place in Greater Vancouver, Canada, we propose conceptualizing mentorship as a figuration, which we describe by tracing three interdependent threads: a constellation of actors, frames of relevance, and communicative practice. Focusing on the constellation of actors, we analyse how the mentorship spans across a dynamic network of actors whose connected presence shape the sharing of the know-how and distributed knowledge among heterogeneous mentors and mentees. Turning to the frames of relevance, we find that mentorship is much more than a means of skill transmission. Instead, it is a site where struggles over the meaning of know-how for cultural work - frames of relevance including skill, creativity, and social justice - take place. Finally, by foregrounding the communicative practice for the figuration of this mentorship, we illustrate how mentorship is facilitated through various layers of digitally mediated exchange which reconfigure traditional notions of guidance and support for sharing experience and knowledge for cultural work. Reconceptualizing mentorship as a figuration allows us to move beyond accounts of dyadic relationships between an individual mentor and a mentee working in co-presence, and instead recognize the relational, institutional, and technological dynamics that structure contemporary cultural work. Ultimately, our findings suggest that, through the figuration of mentorship for cultural work, mentors and mentees can still share meaningful collective experiences and knowledge, which expands our understanding of the know-how necessary to practise cultural-work and how it is shared
Foregrounding · Interdependence · Mentorship · Scholarship · Transformative learning · Artistic and Creative Research · Arts, Culture, and Music Studies · Creativity in Education and Neuroscience
Thinking through Craft
Creative Labour
Inequalities in Media Work
Cultural Work and Higher Education
Configurations of Craft
The Politics of Cultural Work
Craft and the Creative Economy
The constraints of habit
Theorizing Cultural Work
Knowing Capitalism
What the Jeweller’s Hand Tells the Jeweller’s Brain
Escaping the precarity trap
Be creative
The New Spirit of Capitalism
A Practitioner Concept of Contemporary Creativity
The coming of post-industrial society
Craftspeople and Designer Makers in the Contemporary Creative Economy
Death of the secret recipe
Time, Work-Discipline, and Industrial Capitalism
The Invention of Creativity
The Nature and Art of Workmanship
Figurations of Mentorship for Cultural Work
Towards an Archaeology of 'Know-How
Making
Situated Learning
The Perception of the Environment
In the Social Factory
Toward a Network Sociality
The Sociality of Enskilment
| Citações por ano | 1 |
|---|---|
| Intervalo de citações | 2025 - 2025 (1) |
| Altamente citado | Não |