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Multiple Siyin Half Seals

Reconsidering the Dianli jicha si (1373-1384) Argument

Dados Bibliográficos

ID3968114
AutoresHuiping Pang (0000-0001-8134-5032, Stanford University, autor correspondente)
Ano2021
Volume134
Fascículo3
Data de publicação2021-12-16
Open AccessNão
TipoARTICLE
PeriódicoJournal of the American Oriental Society (JOURNAL)
Identificadores do periódicoISSN: 0003-0279 • E-ISSN: 2169-2289
EditoraAmerican Oriental Society (PUBLISHER • US)
DOI10.7817/jameroriesoci.134.3.361
OpenAlexW2329475624
IdiomaEN
Citações recebidas3
Referências citadas1

This paper takes an initial but significant step toward penetrating the intricate historiography of the renowned siyin ("official seal") half seal, which appears on 199 surviving or now-lost canonical Chinese paintings and calligraphies. Through a forensic tracking of the siyin art pieces, Ming dynasty court diaries, legal statutes, and other official seals ending in the words si and yin, I refute the dominant twentieth-century theory by arguing that this seal could not have originated from the eunuch-run Dianli jicha si (Office of Regulations and Investigations) in 1373-84, nor could it have been used by the Ming general Xu Da (1332-1385) on the Yuan palace collection as previously hypothesized. The alleged Dianli jicha si characters do not match the siyin seal strokes. New evidence suggests that the siyin seal came into existence after 1385, by which time the Directorate of Ceremonial (1385-1644) had superseded the shuttered Dianli jicha si office. Instead of simply dividing the various siyin seal impressions into binary genuine/forged categories as past studies have done, I demonstrate that three types of siyin seals can be considered authentic, all of which were used by different branches of the jingli si (registry office). The fact that a half seal was employed suggests that the jingli si registry office followed the kanhe inventory system, which imposed an official seal on the seam of both an inventorying object and its complementary ledger. By deconstructing the siyin historiography, this paper raises new socio-political questions about ownership, censorship, and imperial competition over the siyin-marked art pieces. It also builds a foundation for the further investigation of the role inventory systems played in mapping, defining, and legitimizing the royal power of the Ming dynasty

Ancient history · Archaeology · Art history · Business · Historiography · Ledger · Painting · Political science · Politics · Seal (emblem) · Statute · Chinese history and philosophy · History · Hong Kong and Taiwan Politics · Japanese History and Culture · Law

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    Shih-shan Susan Huang•Journal of Daoist Studies•2017

  • The Confiscating Henchmen

    Huiping Pang•Ming Studies•2015

  • Heritage or Imperial Violence

    Huiping Pang•Ming Studies•2016

  • Visions and Revisions

    Sarah Schneewind•T oung Pao•2001

Citações por ano0,27
Intervalo de citações2015 - 2017 (3)
Altamente citadoNão

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