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The Production and Consumption of Culture in Brazil

Dados Bibliográficos

ID4501213
AutoresRuben George Oliven (0000-0003-3556-6955, autor correspondente)
Ano1984
Volume11
Fascículo1
Páginas103-115
Data de publicação1984-01-01
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoLatin American Perspectives (JOURNAL)
Identificadores do periódicoISSN: 0094-582X • E-ISSN: 1552-678X
EditoraSAGE Publications Inc (PUBLISHER)
DOI10.1177/0094582x8401100107
OpenAlexW1990618456
IdiomaEN
Citações recebidas7

I intend to focus my analysis on one aspect that I consider fundamental to an understanding of Brazilian society: the dynamics of the production and consumption of Brazilian culture. Specifically I wish to examine the phenomenon of the appropriation of the cultural manifestations of certain social groups by others in society and their transformation into national symbols. In order to make a profound analysis of the dynamics of production and consumption of cultural elements, detailed research is necessary. First, one must examine the cultural manifestations within the country to verify in which groups they originate and their meaning within these groups. Second, one must analyze how these cultural manifestations are seen by the rest of the society and when, and for what motives, they are appropriated and transformed. Finally, it is necessary to study the mechanisms through which certain cultural manifestations, at first restricted to specific social classes, became effectively disseminated in the society at large and were translated and transformed into national symbols. If one tries to reveal the articulations between what is traditionally called popular culture and that which is normally called the dominant culture, one could present as a hypothesis the existence of at least two opposing types of movements. The first takes place when the dominant classes appropriate, elaborate, and finally transform certain cultural manifestations originally restricted to the lower classes into national symbols. The second type follows an opposing trajectory-the popular classes appropriate, elaborate, and then turn into national symbols cultural manifestations that were originally restricted to the dominant classes and were often considered marks of distinction

Aesthetics · Appropriation · Consumption (sociology) · Economics · Epistemology · Meaning (existential) · Phenomenon · Production (economics) · Social science · Sociology · Cultural, Media, and Literary Studies · Philosophy · Urban and sociocultural dynamics

  • Consumption in Latin America

    Fernando Rocchi•Oxford Handbook Topics in History•2016

  • Of magic and mania

    Souvik Naha•Soccer and Society•2014

  • The Precarious Present

    Open Access•K M Millar•Cultural Anthropology•2014

  • Brazilian Music Between National and Regional

    Open Access•Andrej Tomazin•Traditiones•2020

  • Blood, Oil, Honey, and Water

    Open Access•Dolores J Shapiro•American Ethnologist•1995

  • Blessed Beats

    Open Access•M Oosterbaan•The Journal of Latin American and…•2021

  • Transposing Brazilian Carnival

    Open Access•M Oosterbaan•American Anthropologist•2017

Obras citantes distintas7
Citações por ano0,23
Intervalo de citações1995 - 2021 (27)
Velocidade de citaçãohistorical
Altamente citadoNão
Tipos de citaçãoNeutras: 7
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