Provoking Animal Realities on TV
Exploring the Affinities between STS and Screen Studies
Dados Bibliográficos
| ID | 5337637 |
|---|---|
| Autores | Gay Hawkins (0000-0002-9057-6729, Western Sydney University, Parramatta, New South Wales, Australia), Ben Dibley (0000-0002-7517-0405, Western Sydney University, Parramatta, New South Wales, Australia, autor correspondente) |
| Ano | 2021 |
| Volume | 46 |
| Fascículo | 4 |
| Páginas | 695-718 |
| Data de publicação | 2021-07-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Science Technology & Human Values (JOURNAL) |
| Identificadores do periódico | ISSN: 0162-2439 • E-ISSN: 1552-8251 |
| Editora | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/0162243920945381 |
| OpenAlex | W3047141018 |
| Idioma | EN |
| Citações recebidas | 2 |
| Referências citadas | 24 |
This paper investigates the logistics of crafting and accounting for animal realities on television. Using the case of The Making of David Attenborough's Conquest of the Skies, a behind-the-scenes documentary about how the Sky TV series David Attenborough's Conquest of the Skies was created, it explores how the material reality of animals becomes a televisual reality. In seeking to challenge the lingering concern within many media studies critiques of wildlife TV about the constructed and manipulated nature of televisual animals, we propose an approach focused on how realities are provoked. This approach draws on recent debates within STS and screen theory about the contingent elements and accountability relations that become practically operative in making something real. Equally significant is the animal performer. How do the animals, often domesticated, that are used in television to simulate wildness or scientific facts participate in and resist the television apparatus? And how do these animal performances shape distinct animal-human relations and contact zones
Aesthetics · Art · Biology · CONQUEST · Environmental ethics · Media studies · Political science · Reality television · Reality tv · Sociology · Wildlife · Wildness · Animal and Plant Science Education · Geographies of human-animal interactions · History · Human-Animal Interaction Studies · Law · Ecology
Wildlife Films
Wildlife in the Anthropocene
The Provoked Economy
Unblackboxing production. What media studies can learn from actor-network theory
Actor-Network Theory
Reassembling the Social
Screen natures’
Making animals public
From the society of the spectacle to the society of the machinery
Producing Nature(s)
Reel Nature
Television wildlife documentaries and animals’ right to privacy
Screening Nature
Visual Accountability
The Body We Care for
The Body Multiple
Publics and Counterpublics
Moving image methodologies for more-than-human geographies
A Constructivist Reading of Process and Reality
The Emergence of Multispecies Ethnography
Provocative Containment and the Drift of Social-Scientific Realism
| Obras citantes distintas | 2 |
|---|---|
| Citações por ano | 1 |
| Intervalo de citações | 2024 - 2024 (1) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 2 |