Television wildlife documentaries and animals’ right to privacy
Dados Bibliográficos
| ID | 8093933 |
|---|---|
| Autores | Brett Mills (0000-0002-9899-5303, University of East Anglia, autor correspondente) |
| Ano | 2010 |
| Volume | 24 |
| Fascículo | 2 |
| Páginas | 193-202 |
| Data de publicação | 2010-03-26 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Continuum (JOURNAL) |
| Identificadores do periódico | ISSN: 1030-4312 • E-ISSN: 1469-3666 |
| Editora | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10304310903362726 |
| OpenAlex | W2022692966 |
| Idioma | EN |
| Citações recebidas | 25 |
| Referências citadas | 22 |
This article examines the BBC wildlife documentary series Nature's Great Events (2009) in order to investigate the ways in which such texts engage with (or ignore) debates about animal ethics, in particular, animals’ right to privacy. Through analysis of the ‘making of’ documentaries that accompany the series, it shows how animals’ right to privacy is turned into a challenge for the production teams, who use newer forms of technology to overcome species’ desire not to be seen. The article places this analysis within the context of broadcasters’ concerns over environmental issues, acknowledging that wildlife documentaries can play a vital role in engaging citizens in environmental debates. However, it is argued that the ‘speciesism’ which affords humans a right to privacy while disavowing other species such rights is one of the tenets upon which humanity's perceived right to maintain mastery over other species is itself maintained; that is, in order for wildlife documentaries to ‘do good’ they must inevitably deny many species the right to privacy
Animal rights · Business · Context (archaeology · Environmental ethics · Geography · Human rights · Humanity · Internet privacy · Order (exchange · Political science · Right to privacy · Sociology · The Right to Privacy · Wildlife · Computer Science · Geographies of human-animal interactions · Human-Animal Interaction Studies · Law · Wildlife Ecology and Conservation · Ecology
‘A lot of sharp teeth and claws’
Dogs and foxes; filmmaking to wild the domestic and domesticate the wild
Ways of Seeing Animals
Glass Panels and Peepholes
My Octopus Teacher, directed by Pippa Ehrlich & James Reed
“Chinese Elm 1030595 . . . (or can I call you Dale??)”
Multispecies Storytelling in Intermedial Practices
The Effects of Blue Documentary on Viewers’ Perceptions and Attitudinal Change Toward Marine Life Conservation
The Economics of Privacy
Animal Privacy and Information Technology
Approaching Nonhuman Ontologies
Appraisal as a weapon of killing
Imag(in)ing the Anthropocene
Protecting the Great Barrier Reef
"Planeta azul" (Rodríguez de la Fuente, 1968-1974)
Advancing Ethical Principles for Non-Invasive, Respectful Research with Nonhuman Animal Participants
Thinking about television audiences
At home, he’s a pet, at work he’s a colleague and my right arm
Electric elephants and the lively/lethal energies of wildlife documentary film
Digital ecologies
Entanglements—Intimacy and Nonhuman Ethics
Why not look at animals
Camera Work
Provoking Animal Realities on TV
Animal Suffering
Home
Taking Animals Seriously
Discipline and Punish
The Presentation of Self in Everyday Life
Discipline and Punish
Animal Rights and Moral Philosophy
Savages and Beasts
The Animal Ethics Reader
The Case For Animal Rights
Screen natures’
Environmental Sustainability
The Ethical Primate
The Ethical Primate
Animal Rights
Reading Zoos
The Limits of Television
| Obras citantes distintas | 25 |
|---|---|
| Citações por ano | 1,92 |
| Intervalo de citações | 2013 - 2025 (13) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 25 |