Star Wars

The Last Jedi, Beauty and the Beast, and Disney's Commodification of Feminism: A Political Economic Analysis

Dados Bibliográficos

ID5935658
AutoresKailash Koushik (0009-0008-1583-1399, Florida State University), Abigail Reed (0000-0002-3988-3096, Florida State University, autor correspondente)
Ano2018
Volume7
Fascículo11
Páginas237
Data de publicação2018-11-15
Peer ReviewedSim
Open AccessSim
TipoARTICLE
PeriódicoSocial Sciences (JOURNAL)
Identificadores do periódicoISSN: 2076-0760 • E-ISSN: 2076-0760
EditoraMDPI AG (PUBLISHER • IT)
DOI10.3390/socsci7110237
OpenAlexW2901777832
IdiomaEN
Citações recebidas5
Referências citadas23

This paper seeks to explore the strategies Hollywood utilizes to capitalize on feminist social movements through replacing hegemonic male characters with female ones or updating traditional stories through a more "feminist" retelling. By analyzing both 2017's Star Wars: The Last Jedi and Beauty and the Beast as representative of this corporate trend, we critique the ways in which these pseudo-feminist texts not only contribute little to the social conversation surrounding the evolving roles of women and their representations in media through the lenses of critical political economy, feminist political economy, and feminist film criticism. We conclude that creating "feminist" reimaginings of classic narratives ultimately serves to uphold the existing economic structures that maintain social and financial capital within the largest Hollywood studios. Thus, little to no social progress is made through the creation of these retellings

Aesthetics · Art · Art history · Beauty · Commodification · Economics · Economy · Feminism · Hegemony · Hollywood · Literature · Media studies · Narrative · Political science · Politics · Social criticism · Sociology · Cinema and Media Studies · Gender Studies · Gender, Feminism, and Media · Law · Media, Gender, and Advertising