Contact’ Rock Art and the Hybrid Economy Model
Interpreting Introduced Subject Matter from Marra Country, Southwest Gulf of Carpentaria, Northern Australia
Dados Bibliográficos
| ID | 6044543 |
|---|---|
| Autores | L M Brady (0000-0002-3997-3470, Flinders University, autor correspondente), Daryl Wesley (0000-0002-3537-5668, Flinders University), John Bradley (0000-0002-0356-6945, Monash University), A Kearney (0000-0002-4559-0660, Flinders University), Shaun Evans (0000-0001-5067-2743, Tharawal Aboriginal), David Barrett (0000-0001-9089-5431, Tharawal Aboriginal) |
| Ano | 2022 |
| Volume | 32 |
| Fascículo | 4 |
| Páginas | 527-546 |
| Data de publicação | 2022-11-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | Cambridge Archaeological Journal (JOURNAL) |
| Identificadores do periódico | ISSN: 0959-7743 • E-ISSN: 1474-0540 |
| Editora | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0959774322000014 |
| OpenAlex | W4221115917 |
| Idioma | EN |
| Citações recebidas | 8 |
| Referências citadas | 28 |
Studies of introduced subject matter in rock-art assemblages typically focus on themes of cross-cultural interaction, change and continuity, power and resistance. However, the economic frameworks guiding or shaping the production of an assemblage have often been overlooked. In this paper we use a case study involving a recently recorded assemblage of introduced subject matter from Marra Country in northern Australia's southwest Gulf of Carpentaria region to explore their production using a hybrid economy framework. This framework attempts to understand the nature of the forces that shape people's engagement with country and subsequently how it is being symbolically marked as adjustments to country occur through colonization. We argue that embedding these motifs into a hybrid economy context anchored in the pastoral industry allows for a more nuanced approach to cross-cultural interaction studies and adds another layer to the story of Aboriginal place-marking in colonial contexts. This paper aims to go beyond simply identifying motifs thought to represent introduced subject matter, and the cross-cultural framework(s) guiding their interpretation, and instead to direct attention to the complex network of relations that potentially underpin the production of such motifs
Archaeology · Assemblage (archaeology · Carpentaria · Colonialism · Context (archaeology · Economics · Economy · Geography · Indigenous · Interpretation (philosophy · Irish · Political science · Sociology · Subject (documents · Subject matter · Archaeology and ancient environmental studies · Archaeology and Rock Art Studies · History · Law · Pleistocene-Era Hominins and Archaeology · Ecology · Geology · Oceanography
Rethinking boundaries
Familiar, not foreign
Contact Rock Art
Exploring palaeoecology in the Northern Territory
When the Foreign Becomes Familiar
Collaborative anthracology and cultural understandings of wood charcoal in Marra Country (northern Australia)
Always a Trace
Marra philosophies of stone, and the stone artefacts of Walanjiwurru 1 rockshelter, Marra Country, northern Australia
Picturing Change and Changing Pictures
The voyage to Marege
Meetings with and without meat
Polyvalent Metaphors in South-Central California Missionary Processes
A Voyage to Terra Australis
When a long way in a bark canoe becomes a quick trip in a boat’ relationships to sea country & changes to Yanyuwa watercraft
The art of Station Time
Sails Set in Stone
Symbols of Power
Notes on the Aboriginal hunting and butchering of cattle and buffalo
Singing Saltwater Country
Native Tribes of the Northern Territory of Australia
Interrogating the hybrid economy approach to Indigenous development
Beeswax rock art from Limmen National Park (Northern Territory), northern Australia
Small, individually nondescript and easily overlooked’ 1
Station Camps
A Minimum Age For Early Depictions Of Southeast Asian Praus in the Rock Art of Arnhem Land, Northern Territory
Macassan loanwords in top end languages
Pioneer settlement in Darwin's Hinterland, 1911–57
Nalangkulurru, the Spirit Beings, and the Black‐Nosed Python
At the centre of it all
A rare miniature and small-scale stencil assemblage from the Gulf of Carpentaria
Theorizing the Hybrid
Born in the Cattle'. Aborigines in Cattle Country
Indigenous participation in Australian economies
Reconsidering regional rock art styles
Negotiating Yanyuwa Rock Art
Aboriginal Managers as Blackfellas or Whitefellas? Aspects of Australian Aboriginal Cattle Ownership in the Kimberley1
| Obras citantes distintas | 8 |
|---|---|
| Citações por ano | 2 |
| Intervalo de citações | 2022 - 2026 (5) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 7 |