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String Instrument Intonation in Upper and Lower Registers

The Effects of Accompaniment

Bibliographic Data

ID10200833
AuthorsVincent J Kantorski (Bowling Green State University, corresponding author)
Year1986
Volume34
Issue3
Pages200-210
Publication date1986-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Research in Music Education (JOURNAL)
Journal identifiersISSN: 0022-4294 • E-ISSN: 1945-0095
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.2307/3344749
OpenAlexW1994459787
LanguageEN
Citations received13
References cited15

The effects of different accompaniment and register conditions on string instrumentalists' intonation performance of scalar passages were investigated. Forty-eight college-aged instrumentalists (12 each of violinists, violists, cellists, and double bassists) performed ascending and descending whole-tone tetrachords in the instruments' upper and lower registers. All performances were accompanied by prerecorded computer generated tones that formed four harmonic interval types with performance tones. Results indicated that upper register performances with accompaniment below were significantly sharper ( p < .05), relative to equal temperament, than lower register performances with accompaniment above, which were also sharp. Descending tetrachords were performed significantly sharper ( p < .01) than ascending tetrachords. Violinists evidenced the least overall deviation followed in order by violists, cellists, and bassists. The sharpness propensity observed in this study was consistent with previous research. It appears that further research is needed to explain more fully the effects of accompaniment and register conditions on string instrumentalists' intonation

Acoustics · Arithmetic · Audiology · Intonation (linguistics · Linguistics · Physics · Register (sociolinguistics · Speech recognition · String (physics · Tone (literature · Computer Science · Diverse Music Education Insights · Mathematics · Medicine · Music Technology and Sound Studies · Neuroscience and Music Perception · Philosophy · Psychology

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    Open Access•Ruth V Brittin•Journal of Research in Music…•2002

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    Open Access•Robert A Duke, John M Geringer et al.•Journal of Research in Music…•1988

  • The Effects of Live Accompaniment, Intelligent Digital Accompaniment, and No Accompaniment on Musicians' Performance Quality

    Open Access•Deborah A Sheldon, Sam Reese et al.•Journal of Research in Music…•1999

  • Effect of Melodic Context, Tuning Behaviors, and Experience on the Intonation Accuracy of Wind Players

    Open Access•Steven J Morrison•Journal of Research in Music…•2000

  • An Analysis of String Instrumentalists' Performed Intonational Adjustments Within an Ascending and Descending Pitch Set

    Open Access•David W Sogin•Journal of Research in Music…•1989

  • Forum

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    Open Access•Frank A Edmonson•Journal of Research in Music…•1972

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    Open Access•John M Geringer•Journal of Research in Music…•1978

  • Discrimination between Tone Quality and Intonation in Unaccompanied Flute/Oboe Duets

    Open Access•Clifford K Madsen, John M Geringer•Journal of Research in Music…•1981

  • Comparison of Solo and Ensemble Performances with Reference to Pythagorean, Just, and Equi-Tempered Intonations

    Open Access•J Alden Mason•Journal of Research in Music…•1960

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    Open Access•Clifford K Madsen•Journal of Research in Music…•1966

Unique citing works13
Citations per year0,34
Citation span1988 - 2019 (32)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 13

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