An Exploration of How Objectivity Is Practiced in Art
Bibliographic Data
| ID | 10264165 |
|---|---|
| Authors | Siún Hanrahan (Dublin Institute of Technology, corresponding author) |
| Year | 2000 |
| Volume | 33 |
| Issue | 4 |
| Pages | 267-274 |
| Publication date | 2000-08-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/002409400552649 |
| OpenAlex | W2150735233 |
| Language | EN |
| References cited | 6 |
In the binary economy of art and science, art's subjectivity is widely perceived as undermining its contribution to knowledge. Even when invoked by those with a vested interest in art, the potential ascribed to art within this economy does not do justice to the range and critical power of art. Trans-gressing this art-science binary, the author explores how objectivity is practiced within art and argues that the relationship between art and science is not a matter of boundaries but of intertwined in-flections of understanding
Aesthetics · Art · Art history · Art methodology · Contemporary art · Epistemology · Objectivity (philosophy) · Sociology · Subjectivity · Aesthetic Perception and Analysis · Artistic and Creative Research · Philosophy · Science Education and Perceptions
| Highly cited | No |
|---|