The Serendiptichord
Reflections on the Collaborative Design Process between Artist and Researcher
Bibliographic Data
| ID | 10272649 |
|---|---|
| Authors | Tim Murray-Browne (0000-0002-9596-2100, Queen Mary University of London), Di Mainstone (Queen Mary University of London), Nick Bryan-Kinns (0000-0002-1382-2914, Queen Mary University of London), Mark D Plumbley (0000-0002-9708-1075, Queen Mary University of London) |
| Year | 2013 |
| Volume | 46 |
| Issue | 1 |
| Pages | 86-87 |
| Publication date | 2013-02-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/leon_a_00494 |
| OpenAlex | W2111351917 |
| Language | EN |
| References cited | 2 |
The Serendiptichord is a wearable instrument, resulting from a collaboration crossing fashion, technology, music and dance. This paper reflects on the collaborative process and how defining both creative and research roles for each party led to a successful creative partnership built on mutual respect and open communication. After a brief snapshot of the instrument in performance, the instrument is considered within the context of dance-driven interactive music systems followed by a discussion on the nature of the collaboration and its impact upon the design process and final piece
Art · Context (archaeology) · Dance · Electronic dance music · General partnership · Human–computer interaction · Political science · Process (computing) · Snapshot (computer storage) · Sociology · Visual arts · Wearable computer · Computer Science · History · Innovative Human-Technology Interaction · Interactive and Immersive Displays · Music Technology and Sound Studies
| Highly cited | No |
|---|