Computer Music Network
Bibliographic Data
| ID | 10285268 |
|---|---|
| Authors | Scot Gresham-Lancaster (0000-0002-8400-6041, ATEC (Arts and Technology), University of Texas at Dallas, Richardson, TX, 75080, U.S.A.., corresponding author) |
| Year | 2014 |
| Volume | 47 |
| Issue | 3 |
| Pages | 266-267 |
| Publication date | 2014-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/leon_a_00771 |
| OpenAlex | W1986478062 |
| Language | EN |
| References cited | 1 |
The social climate and cultural atmosphere of the San Francisco Bay Area in the late 70's early 80's plus the emergence of the nascent microcomputer industry made for a social network and approach that fostered the creation of a new type of collaborative electronic music ensemble with techniques that have come to be known as “Computer Music Network”. A transformation from initial heterogeneous to a more homogeneous underlying paradigm has brought with it aesthetic questions about the reason and evolution of this new genre
Art · Atmosphere (unit) · Geography · Homogeneous · Meteorology · Microcomputer · Sociology · Telecommunications · Transformation (genetics) · Visual arts · Computer Science · Mathematics · Music Technology and Sound Studies
| Highly cited | No |
|---|