The Aesthetics and History of the Hub
The Effects of Changing Technology on Network Computer Music
Bibliographic Data
| ID | 20486644 |
|---|---|
| Authors | Scot Gresham-Lancaster (0000-0002-8400-6041, corresponding author) |
| Year | 1998 |
| Volume | 8 |
| Pages | 39 |
| Publication date | 1998-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo Music Journal (JOURNAL) |
| Journal identifiers | ISSN: 0961-1215 • E-ISSN: 1531-4812 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/1513398 |
| OpenAlex | W1974152118 |
| Language | EN |
| Citations received | 17 |
| References cited | 2 |
Scot Gresham-Lancaster, The Aesthetics and History of the Hub: The Effects of Changing Technology on Network Computer Music, Leonardo Music Journal, Vol. 8, Ghosts and Monsters: Technology and Personality in Contemporary Music (1998), pp. 39-44
Aesthetics · Art · Visual arts · Computer Science · Music Technology and Sound Studies
Changing Music’s Constitution
Sound Exchange
World on a Wire
Free Enterprise
Eavesdropping
Lines of net music
Computer Music Network
A Networked Hybrid Interface for Audience Sonification and Machine Learning
Voice Networks
A Musical Technography of John Bischoff
Social Composition
Distributed Listening in Electroacoustic Improvisation
Displaced Soundscapes
Relationships of sonification to music and sound art
Performative Togetherness in networked music–dance performance
World Stage
Sounding the net
| Citations per year | 0.63 |
|---|---|
| Citation span | 1999 - 2026 (28) |
| Highly cited | No |