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Printing Ritual

The Performance of Community in Christopher Plantin’s La Joyeuse & Magnifique Entrée de Monseigneur Francoys … d’Anjou

Bibliographic Data

ID10410919
AuthorsE Peters (0000-0003-3306-5858, Rhode Island School of Design, corresponding author), Emily J Peters
Year2008
Volume61
Issue2
Pages370-413
Publication date2008-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRenaissance Quarterly (JOURNAL)
Journal identifiersISSN: 0034-4338 • E-ISSN: 1935-0236
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1353/ren.0.0121
OpenAlexW2179249626
LanguageEN
References cited27

Printed commemorations of Renaissance pageantry have been used as important sources of knowledge about the people and circumstances surrounding key political events, with less attention paid to the internal structure and original function of the printed works themselves. This essay explores a particular commemorative book and its illustrations as a case study of the collaborative construction of civic identity in the sixteenth-century Netherlands. It considers the growing conception of print as a space for communal definition and political diplomacy, functioning not as a replacement for civic ritual, but an analog to it

Aesthetics · Art · Art history · Diplomacy · Humanities · Identity (music · Media studies · Performance art · Political science · Politics · Sociology · The Renaissance · Classics · Historical and Literary Studies · Historical Influence and Diplomacy · History · Law · Reformation and Early Modern Christianity

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Citation velocityhistorical
Highly citedNo

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