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In My Own Hand”

Costanza Colonna and the Art of the Letter in Sixteenth-Century Italy

Bibliographic Data

ID10425972
AuthorsP Renee Baernstein (Miami University, corresponding author)
Year2013
Volume66
Issue1
Pages130-168
Publication date2013-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRenaissance Quarterly (JOURNAL)
Journal identifiersISSN: 0034-4338 • E-ISSN: 1935-0236
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/670406
OpenAlexW2034602536
LanguageEN
Citations received3
References cited25

Scholarship on Italian women’s secular writing of the sixteenth century has illuminated the remarkable success female authors enjoyed in print, as well as the complex and ambivalent responses they evoked as a group. This article argues that the more shadowy praxis of ordinary female letter-writing, an obligation for most elite wives and widows, required a baseline level of literacy that enabled more eminent literary women to flourish in print. The essay studies the unpublished letters of the Roman noblewoman Costanza Colonna, the Marchesa of Caravaggio (ca. 1556–1626), to demonstrate her development as a self-taught, competent writer, familiar with the terms of Renaissance debates on the epistolary genre. Colonna exemplifies the hidden world of female literacy that helps explain both the extraordinary flourishing of women’s publishing in sixteenth-century Italy, and the hostility it encountered from some elements of society

Ambivalence · Art · Art history · Elite · Flourishing · Literacy · Literature · Obligation · Political science · Politics · Publishing · Scholarship · The Renaissance · Classics · Law · Psychology · Reformation and Early Modern Christianity · Renaissance and Early Modern Studies · Renaissance Literature and Culture

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Unique citing works3
Citations per year0,25
Citation span2014 - 2022 (9)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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