The digital human something; or, the case of Miquela
Bibliographic Data
| ID | 10495855 |
|---|---|
| Authors | Kyle Stevens, Κ Ν Stevens (0000-0003-4338-5599, corresponding author) |
| Year | 2022 |
| Volume | 63 |
| Issue | 1 |
| Pages | 130-136 |
| Publication date | 2022-01-10 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Screen (JOURNAL) |
| Journal identifiers | ISSN: 0036-9543 • E-ISSN: 1460-2474 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1093/screen/hjac008 |
| OpenAlex | W4206688890 |
| Language | EN |
The major Hollywood casting agency CAA recently signed a new performer, Miquela, a young woman who identifies as queer and multi-ethnic. She is also digital. Miquela rose to fame as a ‘virtual influencer’, one of several such figures on social media who share their seeming-lives with millions of followers. She makes music, has a biologically human boyfriend, and even takes selfies in moisturizing face masks. Miquela is part of a growing population of virtual people that includes not just influencers but companions, therapists, hologram performers and individuals in deep fakes. In this essay I ask what happens when we encounter what I call a ‘digital human’ in screen fiction. What does it mean to label such a figure young, queer or multi-ethnic? What is the fate of identitarian political representation in the age of the digital character? We might initially suppose that there is not much at stake in such
Aesthetics · Agency (philosophy · Art · Art history · Face (sociological concept · Hollywood · Influencer marketing · Media studies · Performing arts · Political science · Politics · Population · Queer · Representation (politics · Social science · Sociology · Visual arts · Digital Games and Media · Gender Studies · Law
| Highly cited | No |
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