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Ideology and Subtitling

South African Soap Operas

Bibliographic Data

ID10607260
AuthorsJan-Louis Kruger (0000-0002-4817-5390, North-West University, Vanderbijlpark*, South Africa, corresponding author)
Year2013
Volume57
Issue2
Pages496-509
Publication date2013-02-04
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMeta Journal des traducteurs (JOURNAL)
Journal identifiersISSN: 0026-0452 • E-ISSN: 1492-1421
PublisherConsortium Erudit (PUBLISHER • CA)
DOI10.7202/1013958ar
OpenAlexW2036698756
LanguageEN
Citations received3
References cited10

This article investigates the ideological component of patronage in the subtitling of four South African soap operas: Generations , 7de Laan , Muvhango , and Isidingo . Taking the concepts introduced by Lefevere as point of departure, the article first discusses the various ways in which audiovisual translation (AVT) is subject to manipulation. This manipulation is shown to be a result of the fact that subtitles, as text superimposed onto the image during post-editing, thereby obscuring a small part of the screen, constantly foregrounds itself to the audience. This foregrounding is also affected by the linguistic background of the audience – whether or not they understand the original dialogue. The argument then turns to a discussion of AVT, and specifically subtitling, as rewriting. The link between language and ideology is discussed as it pertains to issues of power, particularly related to the role of English in the media, also in South Africa, where, in Gottlieb’s terminology, South Africa can be described as a multilingual anglophile context. The language policy of the South African Broadcasting Corporation is then discussed in terms of patronage and ideology followed by a discussion of the role of ideology in these four locally-produced soap operas. In this discussion the different ways in which the subtitling practices of the soap operas reflect ideology are investigated. The article concludes that accessibility plays a smaller role in subtitling in South Africa than the ideology of multilingualism and multiculturalism

Argument (complex analysis) · Context (archaeology) · Creole language · Defamiliarization · Foregrounding · Ideology · Linguistics · Media studies · Multiculturalism · Multilingualism · Pidgin · Political science · Politics · Sociology · History · Language, Metaphor, and Cognition · Law · Philosophy · Subtitles and Audiovisual Media · Translation Studies and Practices

  • Applying Multimodal Transcription to Persian Subtitling

    Open Access•Zahra Abdi, M Khoshsaligheh•Studies About Languages•2018

  • Equivalence and translatability in the subtitling of South African situation comedies and soap operas

    Mosisili Sebotsa, Goitumetswe Moseki•Journal of African Cinemas•2022

  • The language of Wakanda

    Ivankosi Babayi, Tessa Dowling et al.•South African Journal of African…•2020

  • Language and responsibility

    Noam Chomsky•Language and responsibility•1979

  • Gendered roles, images and behavioural patterns in the soap opera Generations

    Gilbert Motsaathebe•Journal of African Media Studies•2009

  • Local is lekker

    Viola Candice Milton•Communicatio•2008

  • The Language of Multiculturalism in South African Soaps and Sitcoms

    Ian Barnard•Journal of Multicultural Discourses•2006

  • Language planning and politics in South Africa

    Vic Webb•International Journal of the…•1996

Unique citing works3
Citations per year0.38
Citation span2018 - 2022 (5)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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