The History of Orchestration
Bibliographic Data
| ID | 10658412 |
|---|---|
| Authors | Adam Carse |
| Year | 1925 |
| Volume | 66 |
| Issue | 992 |
| Pages | 911 |
| Publication date | 1925-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The Musical Times (JOURNAL) |
| Journal identifiers | ISSN: 0027-4666 • E-ISSN: 2397-5318 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/913426 |
| OpenAlex | W1605880710 |
| Language | EN |
| Citations received | 8 |
Compositional Use of Digital Audio Effects
Instrumentalna zbirka Musicalische Ehrenfreudt (1618) skladatelja Isaaca Poscha
Orchestration as a Means of the Synthesis of Classical and Romantic Approaches in Brahms’ Second Piano Concerto
The Cambridge history of musical performance
The Ancient World
Algunas consideraciones sobre la música para conjuntos instrumentales en el siglo VXII español
Origens do “som de Hollywood”
Perspectives on Beethoven’s Middle and Late Periods
| Unique citing works | 8 |
|---|---|
| Citations per year | 0.27 |
| Citation span | 1996 - 2021 (26) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 5 |