Orchestration as a Means of the Synthesis of Classical and Romantic Approaches in Brahms’ Second Piano Concerto
Bibliographic Data
| ID | 14780412 |
|---|---|
| Authors | Vadym Rakochi (0000-0003-4025-2213, Lviv National Musical Academy named after Mykola Lysenko, corresponding author), Vadim Rakochi |
| Year | 2021 |
| Volume | 57 |
| Issue | 1 |
| Pages | 25-63 |
| Publication date | 2021-07-05 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Musicological Annual (JOURNAL) |
| Journal identifiers | ISSN: 0580-373X • E-ISSN: 2350-4242 |
| Publisher | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/mz.57.1.25-63 |
| OpenAlex | W3186430424 |
| Language | EN |
| References cited | 2 |
The synthesis of ‘Classical’ and ‘Romantic’ concepts in the orchestration of Brahms’ Second Piano Concerto is discussed. The composer rethinks ways of presenting musical material in the orchestra by conceptualising both the ‘Classical’ orchestral structure (the size, the approach to the brass section) and the Romantic-like treatment of solos, alternations, etc. as unified domains
Art · Art history · Cadenza · Concerto · Humanities · Literature · Musical · Orchestration · Piano · Romance · Diverse Musicological Studies · Musicology and Musical Analysis
| Citation velocity | historical |
|---|---|
| Highly cited | No |