La saisie esthétique, transformation non narrative de la subjectivité
Bibliographic Data
| ID | 10738398 |
|---|---|
| Authors | Gianfranco Marrone (0000-0002-4380-5736, Culture and Société , Université de Palerme , Palermo , Italy, corresponding author) |
| Year | 2017 |
| Volume | 2017 |
| Issue | 219 |
| Pages | 115-132 |
| Publication date | 2017-11-27 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Semiotica (JOURNAL) |
| Journal identifiers | ISSN: 0037-1998 • E-ISSN: 1613-3692 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1515/sem-2017-0050 |
| OpenAlex | W2622104447 |
| Language | FR |
| References cited | 4 |
Post-Greimassian semiotics has worked toward a return to phenomenology, with the aim of studying the sensorial dimension and the body. Most of this research, however, has all but forgotten Greimas’s last book, De imperfection (1987), in which he proposes an original version of Merleau-Ponty’s philosophy with the notion of the aesthetic grasp . I propose to reconsider this almost abandoned notion, both from a theoretical point of view (a new version of the catharsis of philosophical aesthetics) and from the vantage of textual descriptions (the short story “The Naked Bosom” by Italo Calvino and the movie Ratatouille )
Aesthetics · Ambiguity · Art · Epistemology · Linguistics · Narrative · Phenomenology (philosophy) · Semiotics · Cultural Insights and Digital Impacts · Philosophy · Semiotics and Representation Studies
| Highly cited | No |
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