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The Author as Hero

Self and Tradition in Bulgakov, Pasternak, and Nabokov

Bibliographic Data

ID10749023
AuthorsGalina Krivonos, Lina Khawaldah, Justin Weir (0009-0009-4363-3135), J L Weir
Year2003
Volume47
Issue3
Pages491
Publication date2003-01-01
Open AccessNo
TypeARTICLE
VenueThe Slavic and East European Journal (JOURNAL)
Journal identifiersISSN: 0037-6752 • E-ISSN: 2325-7687
PublisherJSTOR (PUBLISHER)
DOI10.2307/3219990
OpenAlexW2346341141
LanguageEN
Citations received4
References cited1

Introduction The New Novel Do Poets Have Integral Selves? The System of Literary Evolution The mise en abyme Chapter One: Mikhail Buigakov's The Master and Margarita The Self as Author and Hero Schizophrenia Parody and Tradition Thric e Romantic Authorship Chapter Two: Boris Pasternak's Doctor Zhivago The Figurative Shape of Identity Childhood and Authorship The Psychology of Poetry Separation The Inner Author Chapter Three: Vladimir Nabokov's The Gift The Structural Self: Geometry versus Geography Imaginary Journeys The Teleology of Tredition Death and Authorship Chapter Four: Psychology and the Russian Novel

Art · HERO · Literature · Narrative Theory and Analysis · Philosophy · Philosophy, History, and Historiography · Rhetoric and Communication Studies

  • Nabokov’s The Gift , Dostoevskii, and the Tradition of Narratorial Ambiguity

    Open Access•Stephen H Blackwell, Stephen Blackwell•Slavic Review•2017

  • "Children in "The Master and Margarita

    Eric Naiman•The Slavic and East European…•2006

  • The Existence Formula. Boundaries of the Metafiction in Andrej Bitov’s Čelovek v Pejzaže

    Open Access•Olga Trukhanova•Studi Slavistici•2022

  • Voice and Frames in the Soviet Nenets’ Auto/Biographies

    Open Access•Karina Lukin•European Journal of Life Writing•2020

  • Metahistory

    Hayden White•Metahistory•1973

Citations per year0.2
Citation span2006 - 2022 (17)
Highly citedNo

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