Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Nabokov’s The Gift , Dostoevskii, and the Tradition of Narratorial Ambiguity

Bibliographic Data

ID7378221
AuthorsStephen H Blackwell (0000-0001-9349-9266, corresponding author), Stephen Blackwell
Year2017
Volume76
Issue1
Pages147-168
Publication date2017-01-01
Open AccessYes
TypeARTICLE
VenueSlavic Review (JOURNAL)
Journal identifiersISSN: 0037-6779 • E-ISSN: 2325-7784
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/slr.2017.15
OpenAlexW2610296059
LanguageEN
References cited18

Sometimes, we don’t know what a thing is. Fyodor Godunov-Cherdyntsev, the protagonist of Vladimir Nabokov’s novel The Gift , in Chapter Two describes some witch doctors collecting “Chinese rhubarb, whose root bears an extraordinary resemblance to a caterpillar, right down to its prolegs and spiracles—while I, in the meantime, found under a stone the caterpillar of an unknown moth, which represented not in a general way but with absolute concreteness a copy of that root, so that it was not quite clear which was impersonating which—or why.” How to tell original from copy? Which is the source and which the subsidiary? This uncertainty makes an excellent figure for the complexities in The Gift , with its elusive, shifting narrative voice. Does Fyodor, from a variety of proximities and distances, control that voice? Or is there a superior “authorial” figure nestled between Fyodor and the ultimate author, Nabokov himself? This play with the relationship between narrative form and knowledge connects Nabokov tightly with Dostoevskii’s early experiment in epistemological fiction, The Double

Art · Biology · Fyodor · Literature · Narrative · Reflexive pronoun · Witch · European Linguistics and Anthropology · History · Philosophy · Russian Literature and Bakhtin Studies · Vladimir Nabokov Literary Studies

  • Eyeingnabokov's Eye

    D Barton Johnson•Canadian-American Slavic Studies•1985

  • Vladimir Nabokov

    Brian Boyd•Vladimir Nabokov•1990

  • The Models of Space, Time and Vision in V. Nabokov’s Fiction

    Open Access•Marina Grishakova•The Models of Space, Time and…•2012

  • Nabokov, Perversely

    Eric Naiman•Nabokov Perversely•2016

  • The Garland Companion to Vladimir Nabokov

    Vladimir E Alexandrov•Garland Companion to Vladimir…•2014

  • Nabokov's Early Fiction

    Open Access•Julian W Connolly•Nabokov's Early Fiction•1992

  • Lectures on Russian Literature

    Patricia Carden, Vladimir Nabokov et al.•The Slavic and East European…•1984

  • The Young Dostoevsky (1846-1849)

    Robert L Belknap, Victor Terras et al.•The Slavic and East European…•1971

  • The Author as Hero

    Galina Krivonos, Lina Khawaldah et al.•The Slavic and East European…•2003

  • Nabokov's Early Fiction. Patterns of Self and Other

    Elizabeth Klosty Beaujour, Julian W Connolly•The Slavic and East European…•1994

  • The Models of Space, Time, and Vision in V. Nabokov's Fiction

    Stephen H Blackwell, Marina Grishakova•The Slavic and East European…•2007

  • Vladimir Nabokov

    Pekka Tammi, Blair Boyd et al.•The Russian Review•1992

  • Nabokov

    Galya Diment, Leona Toker•The Slavic and East European…•1990

Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae