Theology and Artistic Experience
Bibliographic Data
| ID | 10827906 |
|---|---|
| Authors | F W Dillistone (Throughout his long and productive career, F. W. Dillistone has demonstrated a continuing concern with integrating art and theology. He is the editor of Myth and Symbol (1966) and the author of The Novelist and the Passion Story (1960), Christianity and Communication (1956), and Christianity and Symbolism (1955). His influence has spanned the Atlantic, for he has served as Canon of Liverpool Cathedral and has taught at Oriel College, Oxford, Wycliffe College in Toronto, and the Episcopal Theological..., corresponding author) |
| Year | 1972 |
| Volume | 29 |
| Issue | 3 |
| Pages | 284-293 |
| Publication date | 1972-10-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Theology Today (JOURNAL) |
| Journal identifiers | ISSN: 0040-5736 • E-ISSN: 2044-2556 |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/004057367202900305 |
| OpenAlex | W2330055046 |
| Language | EN |
“If the theologian refuses to be confined within the classroom and the laboratory and insists that he must get out and do theology in the common room and the dining room and the playing field and the theater and on the road, then he must take very seriously the crucial and dramatic experiences [of Schönberg, Picasso, and Eliot]. ... The revelation through the wrestlings of the musician, the painter, and the poet may indeed be part of the total revelation of the living God.”
Aesthetics · Art · Art history · Field (mathematics) · Painting · PICASSO · Revelation · Theology · Karl Barth and Christian Theology · Pentecostalism and Christianity Studies · Philosophy · Theological Perspectives and Practices
| Highly cited | No |
|---|