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The changing face of the Other in Romanian films

Bibliographic Data

ID11045552
AuthorsFlorentina C Andreescu (University of Miami, corresponding author), Florentina Andreescu
Year2011
Volume39
Issue1
Pages77-94
Publication date2011-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueNationalities Papers (JOURNAL)
Journal identifiersISSN: 0090-5992 • E-ISSN: 1465-3923
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1080/00905992.2010.532776
OpenAlexW2034274141
LanguageEN
Citations received3
References cited18

This article focuses on how the Other is represented and understood in films produced in Romania during periods of radical political, social and economic change. Specifically it addresses films produced during the years of communism and the planned economy, during the transition to democracy and to capitalism, as well as films produced during the period of democracy, capitalism and membership in the European Union. The research acknowledges two main aspects: the changing face of the Other over time (the socialist state, the foreign investors, the West, etc.) and the consistency of the fantasy structure. More specifically, the relationship between self and the Other generally follows a strict masochist fantasy script in which the Other has the power to constrain freedom, to inflict pain, and to function as an essential element through which pleasure is understood and experienced. The research proposes an understanding of this structure of fantasy, reflected in film through the existence of a national psyche written by the main myths and stories embraced by the society in discussion. This structure of fantasy hails and constructs a certain subject that has a basic masochistic psychic structure

Aesthetics · Art · Capitalism · Communism · Democracy · Fantasy · Literature · Pleasure · Political economy · Political science · Politics · Psyche · Psychoanalysis · Sociology · Balkans: History, Politics, Society · Law · Philippine History and Culture · Post-Communist Economic and Political Transition · Psychology

  • Romanian Cinematic Nationhood

    Open Access•Florentina C Andreescu•Studies in Ethnicity and…•2012

  • Seeing the Romanian Transition in Cinematic Space

    Open Access•Florentina C Andreescu•Space and Culture•2013

  • Narcissism and abject aesthetics

    Florentina C Andreescu, Michael J Shapiro•Journal for Cultural Research•2014

  • The Socialist System

    Janos Kornai•The Socialist System•1992

  • Fantasies of Salvation

    Vladimir Tismaneanu•Fantasies of Salvation•1998

  • Psychological Trauma and Cultural Trauma

    Neil J Smelser•Cultural Trauma and Collective…•2004

  • The Trauma of Social Change

    Piotr Sztompka•Cultural Trauma and Collective…•2004

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    Lucian Boia•History and Myth in Romanian…•2001

  • Death of the Father

    John Borneman•Death of the Father: An…•2022

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    David A Kideckel, David Kideckel•Getting by in Postsocialist Romania•2008

  • Cultural Trauma and Collective Identity

    Jeffrey C Alexander, Ron Eyerman et al.•Cultural Trauma and Collective…•2004

  • Cultural Trauma and Collective Identity

    Jeffrey C Alexander, Jeffrey Alexander et al.•Cultural Trauma and Collective…•2004

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    Susanne P Schad-Somers, Lynn S Chancer•Contemporary Sociology A Journal…•1993

  • Structural Anthropology

    Jeffrey A Becker, Kitty Wheater•Structural Anthropology•2017

  • Nationalism and National Sentiment in Post-socialist Romania

    Open Access•Katherine Verdery•Slavic Review•1993

  • Methods and Nations

    Michael J Shapiro•Methods and Nations•2004

  • Imagined communities

    Benedict Anderson•Imagined communities•1991

  • The socialist system

    Janos Kornai•The socialist system•1992

  • Imagined Communities. Reflections on the Origin and Spread of Nationalism

    Anthony Reid, Benedict Anderson•Pacific Affairs•1985

Unique citing works3
Citations per year0,21
Citation span2012 - 2014 (3)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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