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Romanian Cinematic Nationhood

Bibliographic Data

ID12712301
AuthorsFlorentina C Andreescu (University of North Carolina Wilmington, corresponding author)
Year2012
Volume12
Issue3
Pages483-497
Publication date2012-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueStudies in Ethnicity and Nationalism (JOURNAL)
Journal identifiersISSN: 1473-8481 • E-ISSN: 1754-9469
PublisherWiley (PUBLISHER • GB)
DOI10.1111/sena.12000
OpenAlexW1730515022
LanguageEN
References cited17

This article analyses the way the concept of nation is reflected in film using the theory of cinematic nationhood and the method of relational constructivism. More specifically, it looks at how the nation can be legitimised when it occupies a strategic position within the national structure of fantasy and when it is closely associated with the most relevant commonplaces present within the social space. The article further investigates the situation in which the concept of nation loses legitimacy because of a change in the way it is imagined. The research addresses the case of R omania, choosing three films representing three distinct periods and characterised by different forms of political and economic organisation: communism, transition, and post‐transition

Aesthetics · Art · Communism · Constructivism (international relations · Epistemology · Fantasy · International relations · Legitimacy · Literature · Political science · Politics · Position (finance · Romanian · Sociology · Transition (genetics · European Union Policy and Governance · Law · Philippine History and Culture · Philosophy

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    Open Access•Jutta Weldes•To Seek Out New Worlds•2003

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    Michael J Shapiro•Cinematic Geopolitics•2008

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  • The changing face of the Other in Romanian films

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Citation velocityhistorical
Highly citedNo

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