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Between the Philosophy of Religion and Cultural History

Susan Taubes on the Birth of Tragedy and the Negative Theology of Modernity

Bibliographic Data

ID11050393
AuthorsSigrid Weigel (corresponding author)
Year2010
Volume2010
Issue150
Pages115-135
Publication date2010-03-01
Open AccessNo
TypeARTICLE
VenueTelos (JOURNAL)
Journal identifiersISSN: 0090-6514 • E-ISSN: 1940-459X
PublisherTelos Press (PUBLISHER • US)
DOI10.3817/0310150115
OpenAlexW2318256978
LanguageEN
Citations received2

The caesura of tragedy, more precisely tragedy as the scene of a caesura upon which an interruption occurs in the relation between divine grounds and human will, stands at the center of Susan Taubes's confrontation with tragedy. Moving beyond an explication of generic history, she analyzed the “Nature of Tragedy” (1953) as a phenomenon emerging from a cultural-historical threshold situation, illuminating tragedy's origins in the framework of her approach to ritual, religion, and philosophy. In respect to the history of theory, these reflections are located at a transition point between religious and cultural history. Her argument that tragedy maintains a

Argument (complex analysis · Art · Epistemology · Explication · Greek tragedy · Literature · Modernity · Phenomenon · Relation (database · Social science · Sociology · Tragedy (event · Philosophy · Religious Studies and Spiritual Practices · Theological Perspectives and Practices · Weber, Simmel, Sociological Theory

  • “Beatific Horror, Wretched Bliss”

    Open Access•Agata Bielik‐robson•Political Theology•2026

  • "Forever Strange in This World." Susan Taubes' Diasporic Thinking

    Open Access•Libera Pisano•Religions•2025

Citations per year2
Citation span2025 - 2026 (2)
Highly citedNo

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