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A Stragegy of Containment

Center and Margin in Desperately Seeking Susan

Bibliographic Data

ID11051473
AuthorsMasʹud Zavarzadeh (corresponding author)
Year1985
Volume1985
Issue65
Pages136-143
Publication date1985-10-01
Open AccessNo
TypeARTICLE
VenueTelos (JOURNAL)
Journal identifiersISSN: 0090-6514 • E-ISSN: 1940-459X
PublisherTelos Press (PUBLISHER • US)
DOI10.3817/0985065136
OpenAlexW2329928257
LanguageEN

In her film, Desperately Seeking Susan, Susan Seidelman continues her inquiry into the relations between the “center” and the “margin” in contemporary culture. The ideology of the film represents the center — the status quo — as the site for mature negotiations of communal values, whereas it constructs the margin — the locus of opposition — as an instance of self-indulgence, transgression, and extremity. This is the same theme in her first film, Smithereens. This fascination with the tension between the center and the margin is interesting in that it enacts the “politics of reluctance” of fairly successful upper bourgeois who in their youth learned a political language and a set of attitudes now being tested in their middle years by new political “realities.”

Aesthetics · Art · Bourgeoisie · Center (category theory · Ideology · Margin (machine learning · Negotiation · Opposition (politics · Political science · Politics · Sociology · Law · Political and Economic history of UK and US

Highly citedNo

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