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Portable X-Ray Fluorescence Analysis of Rock Art Paintings in Southern Illinois

Bibliographic Data

ID11205367
AuthorsSierra M Bow (0000-0003-1361-4290, University of Tennessee at Knoxville, corresponding author), Jan F Simek (University of Tennessee at Knoxville), Mark J Wagner (0000-0003-1816-6407, Department of Anthropology, Southern Illinois University, Carbondale 62901)
Year2025
Volume50
Issue2
Pages89-122
Publication date2025-07-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMidcontinental Journal of Archaeology (JOURNAL)
Journal identifiersISSN: 0146-1109 • E-ISSN: 2327-4271
PublisherUniversity of Illinois Press (PUBLISHER • US)
DOI10.5406/23274271.50.2.01
OpenAlexW4412166960
LanguageEN
References cited36

Illinois contains a rich tradition of American Indian rock art dating to the precontact Mississippian and postcontact periods (AD 1000–1835). One long-standing question about this art involves the nature of the paints used to make it. Ethical concerns about the destructive removal of pigment samples, however, have limited compositional investigations. Here, we used portable X-ray fluorescence technology in situ to noninvasively examine the elemental composition of a selection of Illinois pictographs. This was done without any surface preparation or sampling. We analyzed pictographs from seven sites across southern Illinois to (1) determine the paint ingredients and (2) assess variability in the paint recipes. Elemental data revealed that paint recipes predominantly involved a single chromophore with few other additives. This suggests that motif designs and colors may have been more important to the Native creators of the rock art than were material components of paint recipes

Archaeology · Art · Art history · Fluorescence · Geography · Optics · Painting · Rock art · X-ray fluorescence · Archaeological Research and Protection · Cultural Heritage Materials Analysis · Geology · Image Processing and 3D Reconstruction

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