First in situ pXRF analyses of rock paintings in Erongo, Namibia
Results, Current Limits, and Prospects
Bibliographic Data
| ID | 5399256 |
|---|---|
| Authors | Guilhem Mauran (0000-0002-3884-5194, Centre National de la Recherche Scientifique, corresponding author), Matthieu Lebon (0000-0003-4970-1230, Centre National de la Recherche Scientifique), Florent Détroit (0000-0001-5208-6203, Centre National de la Recherche Scientifique), Benoît Caron (0000-0001-7051-4339, Centre National de la Recherche Scientifique), Alma Nankela (Heritage Council), David Pleurdeau (0000-0001-9741-6704, Centre National de la Recherche Scientifique), Jean-Jacques Bahain (0000-0002-1446-5568, Centre National de la Recherche Scientifique) |
| Year | 2019 |
| Volume | 11 |
| Issue | 8 |
| Pages | 4123-4145 |
| Publication date | 2019-08-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Archaeological and Anthropological Sciences (JOURNAL) |
| Journal identifiers | ISSN: 1866-9557 • E-ISSN: 1866-9565 |
| Publisher | Springer Science and Business Media LLC (PUBLISHER) |
| DOI | 10.1007/s12520-019-00787-7 |
| OpenAlex | W2912187815 |
| Language | EN |
| Citations received | 24 |
| References cited | 69 |
Archaeology · Art · Cave · Excavation · Geography · Painting · Rock art · Style (visual arts · Visual arts · Archaeology and ancient environmental studies · Archaeology and Rock Art Studies · Pleistocene-Era Hominins and Archaeology · Geology
Sangbor Petroglyphs in Bavanat County, Southern Iran
Rock Art in Namibia
Rock Art in Namibia
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Analyses non invasives in situ des œuvres préhistoriques de la grotte de Font-de-Gaume pour une meilleure connaissance du décor pariétal polychrome et de son organisation
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Making visible the invisible. A microarchaeology approach and an Archaeology of Color perspective for rock art paintings from the southern cone of South America
Uncovering the chemistry of color change in rock art in Leang Tedongnge (Pangkep Regency, South Sulawesi, Indonesia)
Identity Through Iteration
Stratigraphie et matière orange-rouge de la paroi ornée paléolithique de la grotte de Font-de-Gaume, Dordogne, France
Developing a non-invasive approach for prehistoric rock art characterization based on smartphone imaging colorimetry and spectroscopy
The Many Meanings of “Integration”
Portable X-Ray Fluorescence Analysis of Rock Art Paintings in Southern Illinois
Contribution and limits of portable X-ray fluorescence for studying Palaeolithic rock art
A multi-technique approach to contextualising painted rock art in the Central Pilbara of Western Australia
Archaeological Ochres of the Rock Art Site of Leopard Cave (Erongo, Namibia)
Data pretreatment and multivariate analyses for ochre sourcing
Calcium Oxalate Radiocarbon Dating
New insights into the Spanish Levantine rock art pigments combining pXRF and stylistic approach
An innovative method of XRF signal isolation in bi-layered systems for characterizing red rock art
Why is it so difficult to work on geochemical composition? Supervised geochemical composition data processing to study colouring iron oxide-rich rocks in archaeological contexts
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The rock art of Caraculo, Namibe province, Angola
Specimens of Bushman Folklore
Origin of the Whewellite-Rich Rock Crust in the Lower Pecos Region of Southwest Texas and Its Significance to Paleoclimate Reconstructions
High precision U/Th dating of the rock paintings at Mt. Huashan, Guangxi, southern China
Cross dating (Th/U- 14 C) of calcite covering prehistoric paintings in Borneo
The White Lady of the Brandberg . By The Abbé Henri Breuil.
A multiplatform code for the analysis of energy-dispersive X-ray fluorescence spectra
An Introduction to X-Ray Fluorescence (XRF) Analysis in Archaeology
Believing and seeing
An approximation to the study of black pigments in Cova Remigia (Castellón, Spain). Technical and cultural assessments of the use of carbon-based black pigments in Spanish Levantine Rock Art
Preliminary analysis of Palaeolithic black pigments in plaquettes from the Parpalló cave (Gandía, Spain) carried out by means of non-destructive techniques
Paints of the Khoisan Rock Artists
Geochemical analysis of the painted panels at the “Genyornis” rock art site, Arnhem Land, Australia
Geochemical source evaluation of archaeological chert from the Carson mounds site in northwestern Mississippi using portable X-ray fluorescence (pXRF)
Efficient quantification procedures for data evaluation of portable X-ray fluorescence – Potential improvements for Palaeolithic cave art knowledge
Second-hand? Insights into the age and ‘authenticity’ of colonial period rock art on the Sunshine Coast, Queensland, Australia
Mineral deposition systems at rock art sites, Kimberley, Northern Australia — Field observations
Emigdiano Blues
Caractérisation in situ du pigment noir de quelques oeuvres pariétales de la Grotte de Rouffignac à l'aide d'un système portable d'analyse par fluorescence X (XRF)
Non‐Destructive or Noninvasive? The Potential Effect of X‐Ray Fluorescence Spectrometers on Luminescence Age Estimates of Archaeological Samples
Pigment geochemistry as chronological marker
A multidisciplinary investigation of a rock coating at Ngaut Ngaut (Devon Downs), South Australia
A compositional study of Cypriot bronzes dating to the Early Iron Age using portable X-ray fluorescence spectrometry (pXRF)
Uranium-series dating rock art in East Timor
The technological versus methodological revolution of portable XRF in archaeology
The feasibility of dating rock paintings from Brandberg, Namibia, with 14C
A multi-technique characterization and provenance study of the pigments used in San rock art, South Africa
Non-invasive portable instrumentation to study Palaeolithic rock paintings
In search of the optimum Raman/IR signatures of potential ingredients used in San/Bushman rock art paint
Lindow man
Results from the first intensive dating program for pigment art in the Australian arid zone
Non-destructive provenance study of cuneiform tablets using portable X-ray fluorescence (pXRF)
The Syntax and Function of the Giant's Castle Rock-Paintings
Analyse in situ des dessins préhistoriques de la grotte de Rouffignac par fluorescence X et diffraction X portable
Taphonomy Or Paint Recipe
New perspectives for 14C dating of parietal markings using CaCO3 thin layers
U-series dating of Palaeolithic rock art at Fuente del Trucho (Aragón, Spain)
Uranium series dating reveals a long sequence of rock art at Altamira Cave (Santillana del Mar, Cantabria)
La préparation des peintures magdaléniennes des cavernes ariégeoises
Köln Radiocarbon Measurements II
U/Th and 14 C Crossdating of Parietal Calcite Deposits
Portable X-Ray Fluorescence Analysis of Rock Art Pigments
The Source of Iron‐Oxide Pigments Used in Pecos River Style Rock Paints
Multianalytical Study of Palaeolithic Reindeer Antler. Discovery of Antler Traces in Lascaux Pigments by Tem
Selection and Heating of Colouring Materials in the Mousterian Level of Es‐skhul ( C . 100 000 Years Bp, Mount Carmel, Israel)
One Colour, (at Least) Two Minerals
Portable X ‐Ray Fluorescence Spectroscopy of Pictographs
Direct dating of rock art using radiocarbon and optically stimulated luminescence
Historical pigments characterisation by quantitative X-ray fluorescence
Reading art, writing history
The earliest directly dated rock paintings from southern Africa
Ethnography and Iconography
Myth, Motive, and Selection in Southern African Rock Art
| Unique citing works | 24 |
|---|---|
| Citations per year | 3,43 |
| Citation span | 2019 - 2026 (8) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 23 |