Experience as Artifact
Transformations of the Immaterial
Bibliographic Data
| ID | 11222885 |
|---|---|
| Authors | Franz Anton Cramer (corresponding author) |
| Year | 2014 |
| Volume | 46 |
| Issue | 3 |
| Pages | 24-31 |
| Publication date | 2014-12-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Dance Research Journal (JOURNAL) |
| Journal identifiers | ISSN: 0149-7677 • E-ISSN: 1940-509X |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0149767714000503 |
| OpenAlex | W2139086030 |
| Language | EN |
| References cited | 7 |
The article analyzes an artistic project that is situated on the dividing line between the realm of performance and of exhibition. The Musée de la Danse in Rennes, France, contests the dichotomies of object and experience and introduces a notion of exhibition-as-performance. In so doing, the “Dancing Museum” suggests new perspectives on, and comprehensions of, the materiality involved in both museal and performance-based modes of presentation
Aesthetics · Archaeology · Art · Art history · Artifact (error) · Exhibition · Materiality (auditing) · Presentation (obstetrics) · Realm · Situated · Visual arts · Art, Politics, and Modernism · Computer Science · Diversity and Impact of Dance · History · Theatre and Performance Studies
| Highly cited | No |
|---|