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Fault lines of participation

An ethnography translated into an exhibition on family and kinship

Bibliographic Data

ID5008358
AuthorsKathrina Dankl (0000-0002-5481-5614, corresponding author), Tena Mimica, Lukasz Nieradzik, Karin Schneider (0000-0002-4523-7656), Elisabeth Timm
Year2015
Volume11
Issue1
Pages82-99
Publication date2015-04-17
Open AccessYes
TypeARTICLE
VenueMuseum and Society (JOURNAL)
Journal identifiersISSN: 1479-8360 • E-ISSN: 1479-8360
PublisherUniversity of Leicester (PUBLISHER • GB)
DOI10.29311/mas.v11i1.224
OpenAlexW2735599524
LanguageEN
Citations received1
References cited14

Since the 'new museology' (Vergo 1989), curating exhibitions has become a contested task. Participatory methods in education and curating have been used and debated as one of the tools to bring museums and visitors into contact in a new way. On the basis of an exhibition on family and kinship, based on praxeologic approaches in curating as well as in displaying the content, this article discusses critically the limits of such methods: they show up not simply in the museum in the form of a changeable ideology, but rather implicitly in all actions that unfold with the concrete use of an exhibition. Against the assumption of improving exhibiting with participatory methods, we think the ideal of participation to be in the same way marked with fault lines as traditional 'politics of display' (MacDonald 1989

Art history · Ethnography · Exhibition · Genealogy · Kinship · Sociology · Anthropological Studies and Insights · Anthropology · Cultural Identity and Heritage · History · Qualitative Research Methods and Ethics

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    Open Access•Elisabeth Timm•Ethnologia Europaea•2012

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Citations per year0.08
Citation span2014 - 2014 (1)
Highly citedNo

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