Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

We Walk Until the Deaths Stop

Sentiment and Corporeality on the Migrant Trail

Bibliographic Data

ID11223232
AuthorsJanet O’Shea (0000-0001-8670-1665, corresponding author)
Year2025
Volume57
Issue1
Pages45-59
Publication date2025-04-01
Open AccessYes
TypeARTICLE
VenueDance Research Journal (JOURNAL)
Journal identifiersISSN: 0149-7677 • E-ISSN: 1940-509X
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0149767725100715
OpenAlexW7138865967
LanguageEN
References cited22

Every year, beginning on Memorial Day, a group of 35 to 85 1 activists walk from Sásabe, Mexico to Tucson, Arizona, USA over eight days, through the arid, rugged terrain of the Sonoran Desert. They walk through soaring desert temperatures, along dirt roads and highways, enduring hot spots, blisters, and leg cramps, as shade gradually disappears with little to block the rising sun. At night, walkers sleep in tents or on tarps. Participants carry small white crosses emblazoned with the names and ages at death of migrants who perished while trying to complete a perilous journey undetected. Some are labeled “Deconocido/a” (Unknown) to memorialize someone whose remains have not yet been identified. Periodically, over the course of each day’s journey, participants conduct a role call in honor of the dead, with each walker reciting the name of the person they commemorate as the group responds with the word “¡Presente!” to “indicate that the life and death of the migrant whose name was read is recognized and witnessed” (Mankel 2021: 104). Participants undertake this journey to highlight the scale of death in the desert and its individual ramifications. 2

Desert (philosophy) · Dirt · Downtown · Honor · Violent death · White (mutation) · Grief, Bereavement, and Mental Health · Interdisciplinary Cultural and Social Studies · Memory, Trauma, and Commemoration

  • The Emotions of Protest

    James M Jasper•Emotions of Protest•2018

  • The Dominion of the Dead

    R Harrison, Robert Pogue Harrison•Dominion of the Dead•2003

  • The Cultural Politics of Emotion

    Sara Ahmed, Sara Ahmed Sayed Ali•Cultural Politics of Emotion•2014

  • “If I look at the mass I will never act”

    Open Access•Paul Slovic•Judgment and Decision Making•2007

  • Mind and creativity

    Open Access•Louise Sundararajan, M K Raina•Theory & Psychology•2016

  • Solidarity in Practice

    Open Access•C Russo•Solidarity in Practice•2018

  • Killing Joy

    Sara Ahmed•Signs: Journal of Women in…•2010

  • Staging the Greensboro Sit-Ins

    Rebekah J Kowal, Rebekah Kowal•TDR/The Drama Review•2004

  • The border art workshop/ taller de arte Fronterizo

    Coco Fusco•Third Text•1989

  • Bodies on the Line

    Open Access•Danielle Goldman•Dance Research Journal•2007

  • Choreographing Postcoloniality

    Open Access•Barbara Browning•Dance Research Journal•2004

  • Species Trouble

    Open Access•James Stanescu•Hypatia•2012

  • Perseverance of social theories

    C Arnold Anderson, Mark R Lepper et al.•Journal of Personality and Social…•1980

  • Love and knowledge

    Alison M Jaggar•Inquiry•1989

  • Border Crossings and Intra-National Trespasses

    Jens Richard Giersdorf•Theatre Journal•2003

  • Choreographies of Protest

    Susan Leigh Foster•Theatre Journal•2003

  • Emotions and Social Movements

    James M Jasper•Annual Review of Sociology•2011

Highly citedNo

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae