The border art workshop/ taller de arte Fronterizo
Interview with Guillermo Gómez‐Peña and Emily Hicks
Bibliographic Data
| ID | 12224002 |
|---|---|
| Authors | Coco Fusco (corresponding author) |
| Year | 1989 |
| Volume | 3 |
| Issue | 7 |
| Pages | 53-76 |
| Publication date | 1989-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Third Text (JOURNAL) |
| Journal identifiers | ISSN: 0952-8822 • E-ISSN: 1475-5297 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/09528828908576229 |
| OpenAlex | W1900475296 |
| Language | EN |
| Citations received | 13 |
(1989). The border art workshop/ taller de arte Fronterizo. Third Text: Vol. 3, No. 7, pp. 53-76
The Narrative Production of “Home,” Community, and Political Identity in Asian American Theater
Arab Noise and Ramadan Nights
The Figure of the X
“Cultural Defense” and Criminological Displacements
Songs Lodged in Some Hearts
Arab Noise and Ramadan Nights
Beyond the Binary of Cuban Identity
Crosscurrents, crosstalk
Challenging the border patrol, human rights and persistent inequalities
Th’oppressor’s wrong,” or, what’s Hamlet to the Borderlands
We Walk Until the Deaths Stop
Borderland Pop
Between and among the boundaries of culture
| Unique citing works | 13 |
|---|---|
| Citations per year | 0.39 |
| Citation span | 1993 - 2025 (33) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 13 |