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I Am Spartacus’

Individualising visual media and warfare

Bibliographic Data

ID11268299
AuthorsDaniel Mann (Goldsmiths University of London, corresponding author)
Year2019
Volume41
Issue1
Pages38-53
Publication date2019-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMedia Culture & Society (JOURNAL)
Journal identifiersISSN: 0163-4437 • E-ISSN: 1460-3675
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/0163443718764805
OpenAlexW2790663372
LanguageEN
Citations received3
References cited13

The constant presence of cameras and social media has become a given during day-to-day military activities in Israel and the Occupied Palestinian Territories. Such technologies shift the focus of warfare onto the individual, and in particular onto the faces of soldiers and Palestinians caught on camera. Due to the habitual use of mobile phones and social media by both soldiers and civilians, the face is singled out as a new battleground, where political action is substituted for individual responsibility. On one hand, the co-option of personal social media into armed conflict enables state actors to zero in on the faces and identities of Palestinian dissidents and alleged terrorists. On the other hand, the faces of Israeli soldiers are also captured and circulated on social media as digital images, posing a new threat to state authority, which depends on remaining faceless. Images of IDF soldiers’ faces, once recorded and shared, figuratively strip off the improvised masks they often wear to hide their identity and preserve their impunity. In Israel and Palestine, where everyday social media habits have become inseparable from routines of security and armed conflict, the image of a soldier’s face individualises his or her actions and demands accountability

Accountability · Action (physics · Aesthetics · Art · Computer security · Face (sociological concept · Identity (music · Impunity · Internet privacy · Media studies · Palestine · Political science · Politics · Selfie · Social media · Social science · Sociology · State (computer science · Visual arts · Computer Science · Global Security and Public Health · History · Jewish and Middle Eastern Studies · Law · Public Spaces through Art

  • Faceless government

    Open Access•Virpi Salojärvi•Visual Communication•2019

  • Public or private? Blurring the lines through YouTube recruitment of military veterans by private security companies

    Open Access•Joana Joachim, Andrea Schneiker•New Media & Society•2021

  • Sensing the human

    Open Access•David Humphrey•Media Culture & Society•2022

  • The Burden of Representation

    Open Access•John Tagg•Burden of Representation•1988

  • The Right to Look

    Open Access•N Mirzoeff•Right to Look•2011

  • Speaking into the Air

    John Durham Peters•Speaking into the Air•1999

  • Composite Portraits, Made by Combining Those of Many Different Persons Into a Single Resultant Figure

    Francis Galton•The Journal of the Anthropological…•1879

  • Our Biometric Future

    Kelly A Gates, Kelly Gates•Our biometric future•2016

  • War 2.0

    Thomas Rid, Marc Hecker•War 2.0•2009

  • Individualization

    Ulrich Beck, Elisabeth Beck‐gernsheim et al.•Individualization•2002

  • The Work of Watching One Another

    Open Access•M Andrejevic•Surveillance & Society•2002

  • Obfuscation

    Open Access•Rico Neumann•New Media & Society•2016

  • Digital Militarism

    Open Access•Oren Livio•European Journal of Communication•2016

Unique citing works3
Citations per year0,43
Citation span2019 - 2022 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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