Noir and Exilic Cinema
Fritz Lang’s Fury , Trauma, and the German Critique
Bibliographic Data
| ID | 11353252 |
|---|---|
| Authors | Andrew P Young (0000-0002-8154-2682, corresponding author) |
| Year | 2021 |
| Volume | 49 |
| Issue | 2 |
| Pages | 70-80 |
| Publication date | 2021-04-03 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Popular Film and Television (JOURNAL) |
| Journal identifiers | ISSN: 0195-6051 • E-ISSN: 1930-6458 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/01956051.2020.1832436 |
| OpenAlex | W3194806406 |
| Language | EN |
| References cited | 10 |
The influx of European émigré filmmakers into the US film industry during the mid-1930s led to an exilic critique in Hollywood films. This study analyzes Fritz Lang’s Fury (1936) to explore the relationships between exile and trauma, engaging with issues of displacement, memory, the victim/perpetrator duality, and the loss of “home.”
Art · Art history · Displacement (psychology · German · Hollywood · Linguistics · Literature · Movie theater · Psychoanalysis · European history and politics · German History and Society · Philosophy · Psychology · World Wars: History, Literature, and Impact
| Highly cited | No |
|---|