The round, cap-shaped hats depicted on Jews in BM Cotton Claudius B. iv
Bibliographic Data
| ID | 11451780 |
|---|---|
| Authors | Ruth Mellinkoff (corresponding author) |
| Year | 1973 |
| Volume | 2 |
| Pages | 155-165 |
| Publication date | 1973-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Anglo-Saxon England (JOURNAL) |
| Journal identifiers | ISSN: 0263-6751 • E-ISSN: 1474-0532 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0263675100000399 |
| OpenAlex | W2136512134 |
| Language | EN |
| Citations received | 5 |
| References cited | 6 |
Individualized portraiture is rarely found in early medieval art. Personalities or groups were more often identified by context or inscription or some significant motif. To those who knew the biblical stories and legends, individuals portrayed in scenes such as Abraham's sacrifice of Isaac, or Moses and the brazen serpent, or the Last Supper, could be easily identified. Iconographical motifs not only served to identify particular prophets, apostles, saints and others, but also often established the character of certain groups. In the latter case, costume played an important part, and especially the head-dress. In western medieval European art a king can be recognized by his crown, a monk by his tonsure, a bishop by his mitre, a divine being by its nimbus and so on. While there were variations and some exceptions, nevertheless head-dress and costume were useful devices for ordinary labelling
Aesthetics · Archaeology · Art · Character (mathematics · Context (archaeology · Literature · Motif (music · Sacrifice · Supper · Theology · Historical and Archaeological Studies · Historical and Religious Studies of Rome · Historical, Literary, and Cultural Studies · History · Philosophy
| Unique citing works | 5 |
|---|---|
| Citations per year | 0.1 |
| Citation span | 1978 - 2018 (41) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 5 |